Page 2536 – a-n The Artists Information Company

Oreet Ashery, Shaheen Merali, ‘Colored Folks’.
Photo: Oficia Humana.

Oreet Ashery, Shaheen Merali, ‘Colored Folks’.
Photo: Oficia Humana.

Áine Phillips, ‘There Is Only Love and Longing’.

Phillips is one of the artists appearing as part of the National Review of Live Art, W: www.newterritories.co.uk

Sonya Hanney, Adam Dade, ‘Stacked Hotel Room No.5’, (Hotel Celtic, Lyon, France), 2000.

Edwina Ashton, ‘Untitled’, wall drawing.
Courtesy: Lotta Hammer/the artist.

Richard Hughes, ‘Untitled’, shelf and mixed media, 2002.
Courtesy: Lotta Hammer/the artist.

Jo Mitchell, ‘Blue Murder’, 2002.
Courtesy: Lotta Hammer/the artist.

Matthew Brotherhood, ‘Untitled’, 2002.
Courtesy: Lotta Hammer/the artist.

Charlotte Von Poehl, ‘Events’, 2002.
Courtesy: Lotta Hammer/the artist.

Edwina Ashton, ‘Untitled’, wall drawing.
Courtesy: Lotta Hammer/the artist.

Nina Saunders, ‘Because I'm worth it’, Trimcell, legend truffle, upholstery materials, 65x100x101.5cm, 2002.
Courtesy: Lotta Hammer/the artist.

Anne Elliot, Evelyn Whitefield, Michelle Naismith, ‘The thing to remember in this is balance’, 2001.

Nicky Barrett, ‘My father is the wise man of the village’, 2001.

Lucy Pedlar, Fran Bossom, ‘Project articulate’, at STATION in December.
Photo: the artists.

Anne Seagrave, ‘Falling into People's Mouths’.

Steve Hines, ‘Faith, hope and charity’.
Photo: Steve Hines.

Duncan Speakman, ‘Tag’.

Richard Page, ‘Stuffed hare’, photograph.

Vladimir Arkhipov, ‘Trailer name plate’, 2001.

David Ward, ‘Pier and Ocean’, installed October 2001.

Keith Tyson, ‘Molecular compound No.8’, (studio wall drawing), 2001.

Matthew Ritchie, ‘Eschaton’, 2001.

Michelle Grabner, ‘Green and gold thermo’, 1999.

Roma Tearne, ‘The house of small things’, 2002.

Stephen Hackett, ‘Blind’, digital image.