Page 2555 – a-n The Artists Information Company
Inka Essenhigh, Born Again, 1999.
Karen Ingham, Theatres of Anatomy, colour negative print, 30x50cm, 2000.
from the series 'Death's Witness', (detail)
Michaela Zimmer, Journey through space, (detail), performance still with object, colour photograph, limited edition: 5, 80x70cm, 2000.
Simon Honey, Concerns, 2001.
Lee Valley Regional Park Authority.
Simon Honey, Fire and Water, Lee Valley Regional Park Authority, 2001.
David Goard, Action Plan, detail from multi-media installation, 2001.
Photo: Caroline Tisday.
Annie Halliday, In the Dark, photogram.
Duncan Copley, Coombe, common lime.
Elizabeth Ogilvie, Into the Oceanic, screen printed text on perspex and various media, 3x16x16m, installation at Codapark Foundation, Netherlands,.
Kathrin Böhm, Stefan Saffer, residency at mpe, flexible platform on the office's balcony,
part of residency at mpe, Munich, 1999.
Paul Mulvihill, Simple Harmonic Motion, composite image, multimedia.
Kathrin Böhm, Stefan Saffer, b2b, round table at Rampe003, Berlin, 2000.
Kathrin Böhm, Stefan Saffer, b2b, collection of terms gathered, round table at Rampe003..
Kathrin Böhm, Stefan Saffer, residency at mpe, sentences spread around the office,
part of residency at mpe, Munich, 2000.
Work experience with Tom.
Juncture artists at Cape Town opening.
Left to Right: Robin Rhode, Frances Goodman (behind Robin Rhode), Ben Pruskin, Harold Offeh, Robyn Denny, Erika Tan, Moshekwa Langa, Berni Searle.
Jeanette Appleton, Land Mark - End (detail), installation, Norway, 2000.
Sheila Gaffney, wax plus call centre equals, photograph.
Jeanette Appleton, Land Mark - End, installation, felted cloth hanging in name straps by the window overlooking the epitaph, Skatøy Church, Norway, 2000.
Helen Beard.
Paul Goodrick, Cas Holmes, Skinny beach hut.
Jenny Smith, Untitled (golden circle I) (detail), paper, paint & pigment on board.
Photo: Duncan MacQueen.
Samantha-Lee Turner, Les Carbiniers, enamel paint, 60x41cm.
Jenny Smith, Untitled (bamboo groves), paper, paint & pigment on board.
Photo: Duncan MacQueen.
Sarah Blood, Diatom (17/26), slumped glass, borasilicate tube, plastic fastening, steel cable, 32x19x16cm.