Page 2561 – a-n The Artists Information Company

Kathrin Böhm, Stefan Saffer, ‘residency at mpe’, flexible platform on the office's balcony, part of residency at mpe, Munich, 1999.

Paul Mulvihill, ‘Simple Harmonic Motion’, composite image, multimedia.

Kathrin Böhm, Stefan Saffer, ‘b2b’, round table at Rampe003, Berlin, 2000.

Kathrin Böhm, Stefan Saffer, ‘b2b’, collection of terms gathered, round table at Rampe003..

Kathrin Böhm, Stefan Saffer, ‘residency at mpe’, sentences spread around the office, part of residency at mpe, Munich, 2000.

‘Work experience with Tom’.

‘Juncture artists at Cape Town opening’.

Left to Right: Robin Rhode, Frances Goodman (behind Robin Rhode), Ben Pruskin, Harold Offeh, Robyn Denny, Erika Tan, Moshekwa Langa, Berni Searle.

Jeanette Appleton, ‘Land Mark - End (detail)’, installation, Norway, 2000.

Sheila Gaffney, ‘wax plus call centre equals’, photograph.

Jeanette Appleton, ‘Land Mark - End’, installation, felted cloth hanging in name straps by the window overlooking the epitaph, Skatøy Church, Norway, 2000.

‘Helen Beard’.

Paul Goodrick, Cas Holmes, ‘Skinny beach hut’.

Jenny Smith, ‘Untitled (golden circle I) (detail)’, paper, paint & pigment on board.
Photo: Duncan MacQueen.

Samantha-Lee Turner, ‘Les Carbiniers’, enamel paint, 60x41cm.

Jenny Smith, ‘Untitled (bamboo groves)’, paper, paint & pigment on board.
Photo: Duncan MacQueen.

Sarah Blood, ‘Diatom (17/26)’, slumped glass, borasilicate tube, plastic fastening, steel cable, 32x19x16cm.

Julia Douglas, ‘Oven ready’.

Christopher Cozier, ‘Attack of the Sandwhich men (detail)’, 2000.

'Intersection+' exhibition at CCA7

Christopher Cozier, ‘Conversation with a Shirt-Jac’, performance, 1991.

Christopher Cozier, ‘Blue Soap’, video still, 1994.
Photo: Marlon Rouse.

‘Manchester Pavilion’.
Photo: Paul Stone.

Anna Carlson, Anna Persson, Helena Roos, Maria Stenmalm, Pia König, ‘Karaoke Taxi’.

‘Ntate Nyabela, traditional basket maker’.

Fiona Rutherford, ‘Forbidden Path’.
Photo: Keith Pattinson.

Denise Wyllie, ‘The Angel of Lee Valley’, 2000.
Photo: Agynor Charalambides.