Page 2568 – a-n The Artists Information Company

Emese Benczúr, ‘Should I live to be a hundred - day by day I think about the future’, 1998.

‘Detail’.

‘Detail’.

‘Detail’.

Andrew Tims, ‘My Favourite Shoes (detail)’, cotton fabric, expandex, plastic tubing, resin, cotton thread, pva glue, letraset.
Photo: David Osbaldestin.

Tina Carr, Annemarie Schöne, ‘Return to sender’, 2000.

Shauna McMullan, ‘You could be anywhere 2000’.

1,000 skies cut from postcards of Scotland, suspended above head height.

Kate Osborn, Lizzie Mirella, ‘planning the 'Decorate Your Clothes' workshop’.

Joanne Capper, ‘Exhale II’, coal tar soap, 2000.

Pamela Wells, ‘Recipes for well-being (installation detail)’, 2000.

Colin Reid, ‘River Rocks’, cast glass, 2000.

Fiona MacAulay, Jenni Arnot, ‘Superlovers, & They shoot horses don't they’.

Respectively

Chila Kumari Burman, ‘Chila Kumari Burman’.

Andrew Hewitt, Melanie Jordan, Graham Bate, ‘Wander’, 2000.

Chila Kumari Burman, ‘Fortune’, mixed media, 2000.

Morag Colquhoun, ‘Loom House’, ash, hazel, wool, brambles, briars, 2.5 x 1.5 x 1.4m, 2000.

(Ty Gwydd)

‘Exmouth beach’.

Chris Eckersley, ‘25 Pyramids’, Sept 2000.

Mary Louise Coulouris, ‘Mermaid mosaic’.

Skyros, Greece

Calum Kerr, ‘The exchange’, c-type print.

Roddy Mathieson, ‘Sanctuary’.

William Lasdun, ‘Isis’, epoxy resin.

Karen Welsh, ‘Untitled’, ceramic stoneware figure and mixed media.

(Both pieces of work produced as part of the Gainsborough Old Hall residency.)

Martha Winter, ‘Chalky Void’.

Gair Dunlop, ‘Panopticism 3’, digital photographic print.