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Page 99 – a-n The Artists Information Company
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Modular Glass ‘Wall’, Louise Watson MA (RCA)
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Clémentine Bedos, Assia Ghendir, Verity Coward and Holly Hunter, Metamorph
Clémentine Bedos, Assia Ghendir, Verity Coward and Holly Hunter, Metamorph
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Candice Lin, Pigs and Poison (2022). Installation view, Spike Island, Bristol. Courtesy the artist and François Ghebaly, Los Angeles. Photograph by Max McClure
Candice Lin, Pigs and Poison (2022). Installation view, Spike Island, Bristol. Courtesy the artist and François Ghebaly, Los Angeles. Photograph by Max McClure
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an-DSG-Student-Website-PageHero
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Ingrid Pollard, Seaside Series (detail), 1989, hand-tinted gelatin silver print with found object and printed caption, each 60 x 44.6 x 7.5 cm. © Ingrid Pollard. Tate, Purchased 2013
Ingrid Pollard, Seaside Series (detail), 1989, hand-tinted gelatin silver print with found object and printed caption, each 60 x 44.6 x 7.5 cm. © Ingrid Pollard. Tate, Purchased 2013
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Jesse Darling, Gravity Road, installation view, Kunstverein Freiburg, 2020. Photo: Marc Doradzillo
Jesse Darling, Gravity Road, installation view, Kunstverein Freiburg, 2020. Photo: Marc Doradzillo
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Maria Garton, Blue Crystal Mass
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Barbara Walker, Vanishing Point 13 (Veronese), 2020. Graphite on embossed Somerset Satin paper. Paper and image 88.2 x 77.6 cm. Courtesy Barbara Walker and Cristea Roberts Gallery, London.
Barbara Walker, Vanishing Point 13 (Veronese), 2020. Graphite on embossed Somerset Satin paper. Paper and image 88.2 x 77.6 cm. Courtesy Barbara Walker and Cristea Roberts Gallery, London.