Calling out misogyny: artist posts own labels next to Picasso and Gauguin works at New York’s Met
09 November 18
Calling out misogyny: artist posts own labels next to Picasso and Gauguin works at New York’s Met
Chicago-based artist Michelle Hartney's performance at the Metropolitan Museum of Art in New York calls for museums to do more to educate the public about the darker side of the artists they celebrate.
The Chicago-based artist Michelle Hartney has installed her own labels next to two Picasso and Gauguin works at the Metropolitan Museum of Art in New York in an attempt to highlight the historic transgressions of celebrated artists.
Next to Picasso’s The Dreamer, she posted a new title ‘Performance/Call to Action’, and quoted Australian comedian Hannah Gadsby’s stand-up act that criticises the artist for the ‘mental illness of misogyny’, citing his affair with his model Marie-Thérèse Walter when she was only 17.
A similar title was posted next to Gauguin’s Two Tahitian Women, quoting from an essay by the writer Roxane Gay. It read: “It’s time to say that there is no artistic work, no legacy so great that we choose to look the other way.”
The Met removed the protest labels the day after Hartney’s action, which took place on the evening of Saturday 3 November 2018. The museum has, as yet, declined to comment on the incident.
Explaining the reasons for the protest, Hartney told the Art Newspaper: “I was doing this performance to ask for some contextualism. I hope that in the future they will consider providing more information about these artists who were worshipped and considered creative geniuses. I’m hoping to start a kind of conversation.”
She added that she had used a very light wall adhesive for her labels, saying: “I wanted to be respectful of the property.”
It’s not the first time Hartney has made such an intervention. Earlier this year she post a new label next to the Balthus work Girl With a Cat.
In an Instagram post, she said: “Men like Balthus, Picasso, Gauguin, Woody Allen, and Roman Polanski, to name just a few, have been granted immunity from criticism over their actions, in spite of the number of women and girls they have objectified, mistreated, raped, or molested.”
Image:
Michelle Hartney, Performance/Call to Action, 2018, via Instagram