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A Q&A with… Sarah Kate Wilson, artist and curator

For the exhibition Painting In Time, Sarah Kate Wilson has invited 12 artists who “challenge ideas of what painting can be” to exhibit alongside her at The Tetley in Leeds. Jack Hutchinson finds out more about curating a show that includes emulsion paint flowing into the gallery, an inflatable painting, and a 1960s DIY instruction work by Yoko Ono.

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Paying Artists: regional advocates need you!

a-n and AIR has launched the Paying Artists Regional Advocates – a team of eleven artists across five cities tasked with ensuring more artists’ voices get heard within the campaign in the lead up to the general election.

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NOW SHOWING #90: The week’s top exhibitions

This week’s selection includes ‘solo’ shows in York and Nottingham by two artists who include examples of other artists’ works to create a dialogue around their own, while a double-header in Leeds sets in place a more formal conversation around the meaning of sculptural objects.

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Jerwood Painting Fellows 2016 announced

Francesca Blomfield, Archie Franks and Dale Lewis have been announced as the latest recipients of the Jerwood Charitable Foundation Painting Fellowships, a year-long programme that supports early career artists through studio time and mentoring.

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PICTURED #40: Taryn Simon, Rear Views …

Taryn’s Simon’s new title, Rear Views, A Star-forming Nebula, and the Office of Foreign Propaganda – published on the occasion of a major exhibition at Jeu de Paume, Paris – is more than a catalogue. Tim Clark argues that it’s a veritable tome of essays, images and ideas on the nature of photographic information and misinterpretation.

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Events #11: The week ahead from a-n members

This week’s selection from a-n’s Events section – featuring exhibitions and events posted by members – ranges from an exhibition of online ‘election art’ to a project to grow edible bananas outdoors in Exeter.

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A Q&A with… Michael Stumpf, sculptor

For the Art Across The City public art programme in Swansea, Glasgow-based artist Michael Stumpf has sited three sculptures in an amphitheatre in order that they can have ‘a debate about the nature of their thingness’. Chris Sharratt finds out more.

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