The £60,000 Contemporary Art Society Annual Award has been won by Elizabeth Price, in conjuction with an Oxford-based partnership led by the Ashmolean Museum of Art and Archaeology.
Manick Govinda was one of six panelists at a recent debate in London titled, All Change in arts funding: crisis or opportunity? Here he provides a commentary on what was discussed and questions the agenda of ‘access’ in relation to arts funding.
This month’s AD:uk national conference in Birmingham is offering up ‘recipes for change in the arts’ through its World Café forum slot, specially developed for the event by artists in residence SSoCiaL. We find out more from artists Sophie Cullinan and Sally Lemsford.
This week’s must-see shows include a retro-futuristic survey of British sculpture at Lisson Gallery, drawing and language at The Drawing Room, and an art/architecture collaboration at BALTIC.
Submissions are being invited for Connect/Exchange, an ambitious pilot project led by Northern Film & Media that will facilitate six artists’ exchanges between three UK cities.
For our latest global snapshot of the next seven days (15-21 November 2013) in contemporary art, we’re in Seoul, Vienna, Abu Dhabi, New York and Milan.
An open day at High House Artists’ Studios this Saturday unveils a new three-storey studio building in Purfleet, Essex, the latest in an ever-expanding network from pioneering London-based charity, Acme.
Originally released on CD-ROM, Alan Currall’s Encyclopaedia could be seen as a forerunner of today’s information and social networking sites. Now available online as part of Film and Video Umbrella’s 25th anniversary programme, we speak to the artist about his encyclopaedia of “apparently ‘certain’ knowledge”, while FVU Director Steven Bode explains the thinking behind the organisation’s celebrations.
A new report into how England’s cultural organisations use digital technology reveals a gap between a core group of enthusiastic adopters and the rest of the sector.
Art Turning Left, a new and wide-ranging exhibition at Tate Liverpool, explores how artists have incorporated political beliefs in their work and how this has changed the way it is produced. The artist and AIR Council member Emily Speed reviews the show and reflects on its relevance to her own practice.
Cultural policy expert Leila Jancovich reacts to the recent Rebalancing Our Cultural Capital report, which shows that government investment in the arts in London far outstrips that in the rest of the country.
The winners of the 2013 Marsh Awards for Excellence in Gallery Education were announced at this year’s engage conference in Birmingham.
Up to 3000 people are expected to descend on Scarborough for the Art Party Conference, instigated by the artist Bob and Roberta Smith.
This year’s engage International Conference took place in Birmingham and tackled the current period of ‘extraordinary change’ in art education across the UK while also exploring what an uncertain future may hold. AIR Council member Caroline Wright, who was presenting at the conference, reports.
Plans for an artist-led workspace designed to encourage talented art graduates to stay in Plymouth receives a £2million boost from the European Regional Development Fund.
Exhibition dates and project details announced for second edition of major moving image awards, featuring new commissions by artists in the first five years of their practice.
This week’s selection of must-see shows includes Korean artist Haegue Yang at Glasgow Sculpture Studios, Michael Landy at the National Gallery, and photographic viewpoints of the city in Manchester.
Luke George and Elizabeth Rose have been named as the winners of the 2013 Griffin Art Prize, for emerging artists working in painting and drawing.
This week’s (8-14 November) whistlestop tour of international contemporary art action takes us to Paris, Sao Paulo, New York, Gothenburg and Leuven in Belgium.
For the latest instalment in our series on art books, Tim Clark is in awe of AMC Journal Issue 7, The Great Refusal, a document of post-World War II protest that simultaneously reveals the birth of new forms of hedonism.
A major multi-venue cultural programme of exhibitions covering the last 25 years of contemporary art in Scotland has announced its ambitious, nationwide programme for 2014.
Creative Scotland has announced three Open Sessions, hosted by its new Chief Executive Janet Archer, which will discuss the development of the organisation’s 10-year strategic plan.
The current director of Focal Point Gallery will succeed Nicola Hood as director of Spacex, Exeter.
The artist John Smith has been announced as the winner of the sixth annual Film London Jarman Award for artists working with moving image.
Arts Council England’s update of its 10-year ‘strategic framework’ makes for sober and serious reading. But while there are no dramatic changes in its ambitions and priorities, Mark Robinson finds a worrying lack of solutions for cash-strapped artists and no recognition of the regional imbalance in arts funding.
Alternative insights into the visual arts, with fast-paced news, comment, debate.
Get in touch
[email protected]
a-n offers a range of memberships for individuals and groups – from £38 annually – find out more.
Supported by:
