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A Q&A with… Christine Borland

Christine Borland’s current show ‘to The Power of Twelve’ looks at the history of Mount Stuart, a neo-gothic country mansion on the island of Bute, during the first world war when it was used as a naval hospital. She talks to Jessica Ramm about the project which sees her return to Mount Stuart fifteen years on from her first exhibition at the Grade A listed house.

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Artists + Instagram: Ben Sadler is @bend_laser

@bend_laser is described by the artist as “a crap anagram” of his name. But can the format of Instagram become an anagram for everyday life and work? Richard Taylor looks at the Birmingham-based artist, one-half of the collaborative duo Juneau Projects, and takes a dive into his extensive Insta-collection of solo work.

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More mince, less sausage: making art that doesn’t look like art

At the recent Jamboree 2018 event on the Dartington Estate in Devon, the London-based German artist Rosalie Schweiker presented an improvised slide show about the difference between being a conventional ‘sausage’ artist and a hard to pigeonhole ‘mince’ artist. Here she turns that talk into a short explanation of her thinking – with added drawings of sausages, mince, and mince-based products.

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27 educators seek recognition as employees rather than freelancers from National Gallery following alleged sacking

In Brief news briefing featuring national and international stories including: Stolen Robert Motherwell painting returned to the Dedalus Foundation after 40 years; Pussy Riot invade pitch during World Cup final in Russia as political protest; and museum planned at Thai cave where 12 boys were rescued. Plus, 2019 Venice Biennale theme revealed.

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Liverpool Biennial 2018 review: “Don’t believe in separated worlds”

The tenth edition of the Liverpool Biennial has just opened with its theme ‘Beautiful world, where are you?’ offered as a chance to reflect upon global uncertainty and change. Bob Dickinson reports from the opening weekend when, amid news of Trump’s visit to the UK and the protracted Brexit negotiations, the notion of a world in social, political and economic turmoil seemed especially pertinent.

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Now Showing #253: The week’s top exhibitions

This week’s selection of must see shows includes a celebration of 250 years of the circus at Grundy Art Gallery, Blackpool, and mass extinction laid bare at Gallery North at Northumbria University, Newcastle upon Tyne.

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London mayor Sadiq Khan approves ‘Trump baby’ flight request; New York gallery MoMA PS1 sued by curator

In Brief: News briefing featuring national and international stories including: £4.5m lottery award for Thomas Gainsborough museum; California’s artist resale rights law becomes virtually ineffective following court ruling; artist’s sketches of RAF’s last surviving second world war airmen to be auctioned to raise funds for air cadets.

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Now Showing #253: The week’s top exhibitions

This week’s selection of must-see shows includes: automata at Compton Verney, Warwickshire, Royal Academician Anthony Whishaw’s paintings in a former cow shed in Checkley, near Hereford, Tacita Dean at Fruitmarket, Edinburgh, plus Michael Sandle’s hard hitting sculpture at Grosvenor Museum.

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Glasgow’s CCA to remain closed until end of August; Germaine Greer claims ‘we should stop teaching art’ in schools

In Brief: News briefing featuring national and international stories including: Artemisia Gentileschi masterpiece becomes only 20th work by a woman owned by National Gallery; Arts Council England launches Impact and Insight Toolkit; artist to receive $3.5m from US Postal Service for copyright infringement; French president Emmanuel Macron to reform country’s artist residencies.

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Seven things that Jamboree 2018 taught us, including the difference between ‘Mince’ and ‘Sausage’ artists

Taking place on the idyllic Dartington Estate in Devon the a-n-supported Jamboree 2018 brought together 150 artists, curators and programmers from across the UK for lively discussion and the exchange of ideas. Hannah Pierce, a-n’s external programmes and partnerships manager, shares the key things she learnt from the event’s four days.

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