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A Q&A with… John Walter, an artist going viral

For his exhibition, ‘CAPSID’, John Walter draws on his time as resident artist of infection at UCL where he collaborated with structural virologist Professor Greg Towers. Lydia Ashman finds out how his focus on a protein shell that enables the rapid transmission of viruses has resulted in a riotous, playful mix of film, painting, collage and installation.

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Now Showing #249: The week’s top exhibitions

This week’s selection of must-see shows includes the 250th Royal Academy Summer Exhibition, the latest edition of Whitechapel Gallery’s London Open triennial, Lubaina Himid’s banner-like paintings in Gateshead, an exploration of ‘universal collective memory’ in Bristol, and a new exhibition at Tate Britain marking 100 years since the end of the first world war.

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Okwui Enwezor leaves role as director of Munich’s Haus der Kunst; Malcolm Morley, first artist to win the Turner Prize, dies aged 86

In Brief: News briefing featuring national and international stories including: Clyde Hopkins, artist and co-founder of Art in Perpetuity Trust Studios, dies; artist Olu Oguibe clashes with city of Kassel over permanent location of work made for last year’s Documenta; and largest public art campaign in United States history announced for midterm elections.

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Now Showing #248: The week’s top exhibitions

Exhibitions in London, Newcastle upon Tyne, Nottingham and Salford feature in this week’s selection of must-see shows including Markus Lüpertz’s Tent Paintings, 1965, Alia Pathan’s Fire Rooster and Chantal Joffe’s Personal Feeling is the Main Thing.

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Eastside Projects reopening: “A lot of positives have come out of what at first seemed a very bad situation”

Last June, Birmingham based arts organisation Eastside Projects unexpectedly closed its gallery space, with rumours circulating as to the reasons why. Director Gavin Wade speaks to Jack Hutchinson about the real reasons for the closure, how it highlighted the support for Eastside Projects from Birmingham’s art scene and the organisation’s plans for the future.

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In Kind and out of pocket: the hidden costs of artists working for free

During this year’s Glasgow International, artists Ailie Rutherford and Janie Nicoll presented In Kind, an action research project using the festival as a case study in order to chart the “hidden economies of the visual arts”. Fellow Glasgow-based artist Jessica Ramm finds out what they discovered and ponders where to go next.

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