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A Q&A with… Laura Ford, sculptor

Sculptor Laura Ford’s new commission for Brighton’s House Biennial draws on the history of town’s Royal Pavilion and in particular that of its early 19th century commissioner King George IV, who lived there as Prince Regent prior to taking the throne. Dany Louise talks to the artist about her work and finds out why Donald Trump has a starring role in her installation, A King’s Appetite.

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Working for free: what’s to like?

Artists are often asked to work for free in return for exposure via social media likes and audience praise, so for a recent commission (paid) Alistair Gentry decided to walk around Folkestone dressed in a cliched ‘artist’s costume’ asking other types of worker if they’d do the same. Perhaps unsurprisingly, they weren’t particularly keen.

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Frieze Week 2017: art fairs and events in London

It’s that time of year again when London’s Regent’s Park is taken over by two vast temporary marquees as the international art world descends on the capital for Frieze Art Fair and Frieze Masters. We take a look at Frieze and the other art, craft and design fairs taking place across the city this week.

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“Almost respectable”: the resurgence of ceramics

Recent years have seen a renewed interest in clay as many contemporary artists embrace the medium in their work. As the British Ceramics Biennial continues in Stoke and Tate Modern hosts Ceramics Factory, Pippa Koszerek talks about its renewed appeal with the biennial’s artistic director and artists Clare Twomey and Jesse Wine.

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Keith Harrison’s Joyride: “I don’t know what will happen when the car goes down the ramp”

In November 2016 artist Keith Harrison was announced as the winner of Jerwood Open Forest, a £30,000 commission opportunity to produce a new public work for a forest context. He talks to Anneka French ahead of his sculpture-cum-performance, Joyride, which will see a full-size replica of a Rover 75 ‘launched’ from a ramp in the Staffordshire countryside.

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NOW SHOWING #215: The week’s top exhibitions

A selection of exhibition highlights for the week ahead including a Jasper Johns survey at the Royal Academy of Arts, an art/science collaboration in Newcastle and Robyn Denny’s abstract paintings at Newlyn Art Gallery, Penzance.

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Ethics, art and technology: the need for a human-centred approach

At a recent symposium in London, academics, technologists, artists and film makers gathered to discuss the politics and ethics of art technology. Artist and writer Alistair Gentry attended and was struck by the need for a much closer relationship between the tech and ethical tendencies in this ongoing and vitally important debate.

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