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Degree Shows 2017: This week’s openings, 18-22 May

This week’s selection, taken from the a-n Degree Shows Guide 2017 listings, features 10 shows opening across England, Wales and Scotland, and includes University of Worcester, Dundee University, the Slade, and Swansea College of Art

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Venice 2017 review: Britain at the Biennale – from Phyllida’s folly to the Diaspora Pavilion

The UK’s presence at this year’s Venice Biennale is particularly strong, with Phyllida Barlow’s sculptures at the British Pavilion, Rachel Maclean’s new film for Scotland + Venice, James Richards’ sound and film work representing Wales, and the new Diaspora Pavilion reflecting the diverse cultural backgrounds of UK-based artists. Moira Jeffrey reports.

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Degree Shows 2017: This week’s openings

For the next couple of months we’ll be presenting a weekly pick of degree shows across the UK as they open to the public, selected from the a-n Degree Shows Guide 2017 listings. We start this week with final-year shows from Falmouth, Lincoln, Oxford Brookes and Chichester.

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Assembly Margate: “Working with artists is a compelling process”

Across two days of talks, workshops and get-togethers, Assembly Margate explored both the specifics of living and working as an artist in a town with a small population where art can be a contentious subject, and the broader picture of how artists deal with issues such as regeneration, gentrification and working with communities.

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Venice 2017 preview: Ten must-see national pavilions

This year’s Venice Biennale features 85 national pavilions including four countries exhibiting for the first time. As the three-day preview begins prior to the biennale’s public opening on Saturday, Pippa Koszerek highlights 10 national pavilions that you really shouldn’t miss.

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Turner Prize 2017: inclusion of over-50s reflects reality of artists’ careers today

Yesterday’s announcement of the 2017 Turner Prize shortlist saw two artists over 50 nominated – Hurvin Anderson and Lubaina Himid – reflecting the recent decision to drop its longstanding under-50 rule. Fisun Güner welcomes the change, arguing that it better reflects the reality of many artists’ careers while also ensuring a particularly strong line-up for this year’s prize.

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