‘The British Invasion’ exhibition has just opened in Blackburn as part of this year’s British Textile Biennial. Anneka French spoke to the show’s curator Alex Zawadzki and two of the three exhibiting artists, Jamie Holman and Jasleen Kaur, all a-n members, ahead of the opening.
For her first show in England at Grand Union in Birmingham, Glasgow-based artist Lauren Gault has produced a new body of sculptural works in glass, metal and welded PVC plastic, complemented by a sound piece. Anneka French finds out more from the artist.
A recent event at MAC in Birmingham brought practitioners and curators together to interrogate ‘the (in)visibility of disabled artists’. Anneka French reports on a productively critical discussion.
The Birmingham-based artist’s exhibition ‘Vanishing Point’ addresses the underrepresentation of black figures in Western history and presents a new group of works on paper alongside two paintings loaned from the National Gallery. Anneka French finds out more.
For ‘Deep Spoils’, the Glasgow-based Scottish artist’s first exhibition in Wales, Claire Barclay has responded to the history and architecture of Swansea’s Mission Gallery by reconfiguring existing works alongside new elements. Anneka French discovers more about her distinctive practice that draws on industrial motifs to explore materiality and memory.
The Herefordshire-based painter Clare Woods has developed a series of eight large-scale oil on aluminium works for her new show at Warwick Arts Centre’s Mead Gallery, reflecting an ongoing move away from abstraction towards more figurative paintings. Anneka French talks to the artist about scale, process and her photographic source material.
In November 2016 artist Keith Harrison was announced as the winner of Jerwood Open Forest, a £30,000 commission opportunity to produce a new public work for a forest context. He talks to Anneka French ahead of his sculpture-cum-performance, Joyride, which will see a full-size replica of a Rover 75 ‘launched’ from a ramp in the Staffordshire countryside.
Known for her detailed sculptural works that combine everyday objects and materials with meticulously applied precious stones, metals or fine embroidery, Susan Collis is interested in making us consider the real value of what we might at first think is mundane and ordinary. Anneka French talks to the artist about her major new solo show at Touchstones Gallery, Rochdale.
Artists Alex Hartley and Tom James have created a geodesic dome constructed from reclaimed materials and situated it in the Capability Brown-designed gardens of Compton Verney, a Georgian mansion and gallery in rural Warwickshire. Anneka French finds out about their plans for the future.
With a solo show at ICA and as part of a group exhibition at Eastside Projects, Sonia Boyce is exploring ideas around play, improvisation and sculpture – including a collaborative project with ukuele-playing skateboarders. Anneka French talks to the artist during the first of two lively, nerve-wracking performances in Birmingham, as skaters fly by and instruments are played.
Having graduated from the Royal College of Art last year, London-based artist Holly Hendry has won numerous awards and just opened her first solo show in a UK public gallery at Baltic, Gateshead. Anneka French talks to her about her whirlwind career so far.
Scottish artist Katie Paterson has recently published her first monograph, documenting almost 10 years of multidisciplinary projects that range from a 100-year artwork to streetlights powered by lightning. Anneka French finds out more.