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Eye on the prize: artists from ethnic ‘minorities’ are being shut out
The shortlist for the inaugural East London Painting Prize didn’t represent the ethnic and cultural diversity of the area and, argues Gillian McIver, this reflects the UK art world’s stiflingly restrictive approach to artistic practice.
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Review: Frieze London – a good education in how the art market works
Is Frieze Art Fair useful in any way to artists and is it good for artists and art? Filmmaker, artist and Frieze first-timer Gillian McIver roams the gallery booths and curated projects at the fair’s vast Regent’s Park marquee and finds the experience useful, enlightening and at times troubling.