We’re standing halfway up a stairway that weaves it’s way sharply and narrowly from the leafy street through the modernist backside of buildings; we’re under a tall tree canopy, the rear of 19th C town houses stream away to our […]
These maps describe our synchronised listening experiences. We’re used to listening and then vocalising an immediate interpretation of a place together with groups but this exercise allowed us to listen and map in silence. We’d done some exploration of various […]
In advance of our post about making sound maps and where we made them, here’s a link to a couple of clips from the ambient field recording made while we ‘mapped’, for you to fill your ears. Best listen with […]
One of our aims for this new collaboration is to look at graphic scoring, visual documentation, interpretation and mapping of sound. We want to explore useful ways of having a record of the sounds we find and make in order […]
How people filter their perception of the environment is key to our work together. Considering audience and musicians as active perceivers receiving & processing multiple data not units in space. Definition & Concepts in Denis Smalley – Spectromorphology, acted as […]
In the months before our 3 day sounding lab we sporadically exchanged references that excited us, stuff we’d read, artists that interest us, workshops we’d led or attended, observations from making new work.. references included: Denis Smalley – Spectromorphology: explaining […]
Claire is a Glasgow based composer, musician and facilitator. She is director of Sonic Bothy (http://atelierpublic.wordpress.com/artists/claire-docherty-sonic-bothy/). Her practice centres around collectively creating new music often in cross-discipline contexts. Jane is a multi-disciplinary artist with a focus on participatory and interactive […]