The artist sits on a plinth with one foot up on it, in a splattered boiler suit, holding a black ceramic curved form in one hand and looking at it.
Through the re-interpretation of objects - including historic fitness items/tools, an approach that uses a surreal and feminist lens, as well as traditional sculptural and compositional aesthetic nuances, is explored to discuss a practice that subverts and discuss our body object relationships, their use, representation and the desire these objects elicit. Sheffield