As a response to Francesca Cavallo Rehearsing Disaster 27 November 2017 MayDay Rooms
Responding to Hamish MacPherson ‘So where exactly did the future come from?’ 4 December 2017 Guest Projects, Shonibare Studios See Nathania Hartley’s response to same lecture here: https://www.a-n.co.uk/blogs/altmfa-artist-group-bursary-the-future/post/52517820
In response to: Nuno Coelho ‘Art In The Age Of Digital Reproduction’ 10 April 2017 Christies Education
In response to Florence Peake (workshop with) 18 September 2017 Green Rooms Hotel
Responding to: Hamish MacPherson ‘So where exactly did the future come from?’ 4 December 2017 Guest Projects, Shonibare Studios View Naima Karlsson’s response to this lecture here: https://www.a-n.co.uk/blogs/altmfa-artist-group-bursary-the-future/post/52517825
In response to: Dave Beech Art & Post-Capitalism 20 October 2017 Christies Education
Responding to: Daniel Oliver’s performance workshop: Max Dyspraxe’s Post-Aprokrolips Chipolaterartparty 30 October 2017 Green Rooms, London See Eirini Kartsaki’s response to the same workshop here: https://www.a-n.co.uk/blogs/altmfa-artist-group-bursary-the-future/post/52517774
Responding to: Daniel Oliver performance workshop: Max Dyspraxe’s Post-Aprokrolips Chipolaterartparty 30 October 2017 Green Rooms See Eldi Dundee’s response to the same workshop here: https://www.a-n.co.uk/blogs/altmfa-artist-group-bursary-the-future/post/52517793
Responding to: Rosalie Schweiker & Margherita Huntley ‘Teaching for People Who Prefer Not to Teach’ 22 May 2017 MayDay Rooms
(Continued) …6 – In October (20th), Dave Beech took time out of his busy schedule to share his expertly honed insights in an intensely thought-provoking talk about ‘Art and Post-Capitalism’ – at Christies Education, no less! Andy Yau of Alt MFA jumped […]
1 – Kicking off our a-n funded Future Programme as our first commissioned speaker, Nuno Coehlo gave two lectures in one in April (10th) that spanned seemingly divergent ages and subjects as ‘How Modernism Envisaged A New Future’ via 1920s chairs, Bauhaus […]