Generator
Firstsite, Colchester
8 February 29 March
Firstsite, Colchester
8 February 29 March
Temple Bar Gallery and Studios, Dublin
6 January 22 March
£40 million was awarded to the development of Creative Partnerships through the Arts Council of England as part of the Government’s 2000 Comprehensive Spending Review. The two-year pilot programme that began in April 2002 will run to March 2004. The […]
The Arts Council of Northern Ireland (ACNI) has recently announced an uplift of more than £10m following the announcement of an extra £18m for the arts over three years from the Department of Culture, Arts & Leisure. Distribution of the […]
Introduction to different kinds of residencies and what they have to offer for creative and career development.
Susan Jones explores the way artists interact with audiences through projects and schemes which involve social or environmental contexts.
Carey Young provides a guide to engaging with businesses and in business contexts.
Neal White, a member of Soda, shares the groups experience of undertaking a residency at the pharmaceuticals company Pfizer.
Michael Atavar talks about the ups and downs of his experience as artist-in-residence at The Guardian.
Su Jones explores Anna Best’s 2001 National Media residency for Year of the Artist here at a-n The Artists’ Information Company.
This profile looks at the activities of Littoral, an arts trust promoting new creative partnerships, critical art practices and cultural strategies in response to issues about social, environmental and economic change.
Lucy Kimbell outlines some issues that can arise from residencies in business settings and should be resolved in advance.
Lucy Kimbell looks at how artists and arts organisations can work with businesses and the pros and cons of such collaborations.
Andrea Ronan outlines some UK residencies including what sponsors or residency programmers may expect in return for the fees, studios, materials and accommodation on offer.
Gordon Dalton talks to Danny Rolph about creative process, gallery representation and residencies at Delfina and the British School at Rome.
Richard Cox profiles the Bemis Center for Contemporary Arts, USA, and discusses his involvement as both resident artist and selector.
Jane Watt profiles Grizedale Arts, its residency programme and focus on research and process-based work that encourages interaction with the physical and social environment.
Mark Leahy looks at Ivan Smith’s intentions for his Fellowship in Sculpture at University of Derby, funded by the Henry Moore Foundation, and its role in his career development.
Nina Madden meets painter Katie Pratt and uncovers the benefits of winning the Jerwood Painting Prize.
Mark Leahy on Rona Lee’s fellowship at the Department of Drama and Theatre Studies at Royal Holloway University, London where she was in receipt of an AHRC Fellowship in Creative and Performing Arts.
Amanda Fielding looks at the activities of Johanne Mills and provides insights into the versatility of the contemporary artist.
Mark Leahy on Vanda Playford and her PhD research at the Royal College of Art.
Nina Madden talks to Shelly Goldsmith about her career to date, and receiving the Jerwood Applied Arts Prize.
Brigid Howarth takes an in-depth look at the career path of sculptor and new-media artist Ben Coode-Adams, who makes his living from public and private commissions.
Brigid Howarth looks at the career of ceramic artist Kate Schuricht who developed her own business after receiving a Crafts Council Setting Up award.