Art moves – 2011 October
Comings and goings of arts professionals.
Comings and goings of arts professionals.
On the first weekend in October in over thirty venues across the London Borough of Lambeth, artists are opening their work spaces to the public.
Emily Speed reports from Abandon Normal Devices (AND) – ‘a call to arms inviting anarchists of the imagination to propose striking perspectives on normality’.
A run down of this month’s prizes and awards.
Now in its fourteenth year, Deptford X is counting down a programme of events that will build towards the Olympic and Paralympic games in 2012.
A selection of projects, residencies and exhibitions taking place outside the big cities this autumn.
Elizabeth Wewiora looks at allotment-based practice among contemporary artists.
Online editor Richard Taylor interviews artists Maria Bojanowska, Sarah Rowles, Alice Ladenburg and Andrew Maclean about their approach to professional development in the early stages of a career in the arts.
Current professional development support schemes for visual artists in the UK.
In 2010 artist Jo Berry embarked on a period of research within the School of Biomedical Sciences at Nottingham University Medical School, alongside Tim Self and Dr Nicholas Holliday. Here they recount the experience of an artist working in a ‘live’ scientific research environment, and the ways that the two disciplines of art and science can benefit each other to a wider audience.
Ryan Hughes, 2011 graduate from Birmingham Institute of Art and Design, talks to Richard Taylor about life post-graduation and how he now makes room to re-approach a working practice.
In the second of two interviews between long term collaborators and bloggers Alice Bradshaw and Bob Milner, Bob interviews Alice about curating, labels, and keeping a space open for your practice.
Contents include: Is collaboration different in the visual arts? Gillian Nicol reports from ‘Stronger Together’, an event held in Newcastle in June and Nick Sharp discusses IP and copyright issues that arise through collaborative practices; in Debate Kate Phillimore and […]
Tim Ridley, a graduate from Chelsea College of Art and Design, uses performance to actuate ideas and working processes. As Tim gets to grips with being an artist fresh from art school, Richard Taylor takes a further journey in to his new blog on Artists talking.
Janey Muir graduated from her MFA at Duncan of Jordanstone College of Art and Design in September 2010. A year on, Richard Taylor steps in to conversation at a pivotal moment in her work’s development, through a new Project blog on Artists talking.
Richard Taylor talks to Natalia Komis, a recent graduate from Bath School of Art and Design (BSAD) about dust, new and collective departures in her work and the beginnings of a new blog.
In her article asking ‘What festivals add to a city’ (a-n Magazine, July-August 2011), Dany Louise points out that local authorities tend to favour them for extrinsic reasons like improved tourism and city profile. Based on my recent experience in Folkestone, where I was undertaking a short residency, I would argue that these supposedly extrinsic reasons are in danger of eclipsing the intrinsic benefits, as festivals are increasingly understood within the context of urban development and economic growth.
Kate Phillimore and Matthew de Pulford propose the jester as a vehicle for understanding playfulness, mediation, diplomacy and rebellion within curatorial practice.
Arron Kuiper, Box 8, oil paint, aquagel, glass vitrine, 2011.
As UK’s universities continue their radical overhaul to deliver a more streamlined and affordable ‘service’, art education is facing up to the challenges this presents to the sector. Attending Cubitt’s July Festival of Blackboards, Mitra Memarzia observes that art students […]
New high profile museums and galleries have opened across the UK, but how can they best contribute to the local arts and culture, asks Emily Speed.
Organisations around the UK facing cuts or closure.
Led by curator Vicki Lewis and artist Katherine Clarke (muf), the We Are Artists, How Can We Help? action research project questions the presence of artists as a model in regeneration. What does the artist gain? Is there a benefit swap between the artist constituency and their neighbours?
New ways are needed to measure the types of value being delivered by small visual arts organisations, according to a new report looking at the role and value of the small-scale visual arts sector within the wider arts ecology.
Artists and supporters of art are being rallied to support final implementation of an important Right for artists, their families and beneficiaries.