When does artistic freedom become copyright infringement? Artist David Mabb considers works in his practice, including a run-in with Magnum Photos and appropriating the work of William Morris.
A new report reveals that a disproportionate number of artists’ membership and development agencies and practice-based organisations lost core funding, despite ACE’s aim of creating a “balanced portfolio”.
The photographs of Sirkka-Liisa Konttinen and Amber’s films have been inscribed in the UNESCO UK Memory of the World Register as an archive of national cultural significance.
An international award for contemporary art and design inspired by Islamic tradition, the Jameel Prize aims to explore the relationship between Islamic traditions of art, craft and design and contemporary work as part of a wider debate about Islamic culture and its role today.
Ian Robinson, Warburg Offprints, oil on canvas, 125x169cm, 2011.
In this issue we continue to get a glimpse of how the visual and applied arts are developing new approaches in a harsher climate.
BECTU and other members of the Federation of Entertainment Unions (FEU) plus Connect and PCS held an event in June to launch the Lost Arts Campaign and website www.Lost-Arts.org.
How do artists go about delivering a very large commission to deadline? Emily Speed interviewed Shauna Richardson about her Artist Taking the Lead Commission: The Lionheart Project.
Blogger Ann Shaw talks to Andrew Bryant about working in the virtual realm, her career development from journalist to artist, and current concerns.
New evidence exposing, quantifying and discussing the likely impact on the visual arts of Arts Council England’s decisions on fifteen previously Regularly Funded Organisations (RFOs) visual arts organisations unsuccessful in their NPO application. PDF file [200kbs]
Contents include: Executive Director of CARFAC April Britski reports on the Canadian arts funding scene; in Debate Daniel Fawcett argues that artists’ use of film holds the key to its future; Big Picture is by Ben Ashton and in Collaborative […]
New evidence exposing, quantifying and discussing the likely impact on the visual arts of Arts Council England’s decisions on fifteen previously Regularly Funded Organisations (RFOs) visual arts organisations unsuccessful in their NPO application. It shows that a disproportionate number of artists’ membership and development agencies and practice-based organisations lost core funding, despite ACE’s aim of creating a balanced national portfolio and makes recommendations for sustaining their work as part of a strengthened arts ecology.
Directed by artist, curator and writer Sonya Dyer, the Artists and curators talking programme of practice-led discussions on hospitality, space and contemporary art making, provided much food for thought. Here, Sonya Dyer explores some of the issues and outcomes.
Here we have unveiled our list of the top ten Artists talking blogs.
MK Gallery, Milton Keynes
15 April – 26 June
Spacex, Exeter
12 March – 30 April
Space Station Sixty-Five, London
26 February – 14 May
A look at how two artists, Rosalie Schweiker and Binita Walia have created their own
workspaces and potential sources of income.
In the recent ACE funding review, a shocking number of organisations working at the leading edge of digital and new media arts were cut.
A round-up of UK projects and presentations, official, collateral and otherwise, during the 54th International Art Exhibition of the Venice Biennale. Projects run 4 June – 27 November 2011 unless otherwise stated.
As an increasing number of publicly-funded arts organisations seek out new models and initiatives for support, Artsway is providing a valuable platform to debate and explore what already exists, raising the issue of how longer-term support of artists can be maintained and increased in a period of arts austerity.
Supporting the international activities of artists and arts organisations is a key function for many national arts funding agencies. In order to investigate this area of arts policy and identify key issues affecting the programs and priorities of such agencies, the International Federation of Arts Councils and Culture Agencies (IFACCA) conducted a worldwide survey in English, French and Spanish, the results of which have been analysed and supplemented by other research and presented in a report.
This year, DACS has £4m of royalties on offer to pay to artists and AIR members whose work has been reproduced in UK books or magazines or on certain television channels.
Editorial published in Artists Newsletter in June 1991.
Shortlisted artists announced.
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