Art Sheffield 2010 – Life: A User’s Manual, showcasing work by locally, nationally and internationally based artists takes place across Sheffield from 6 March until 1 May 2010.
Curated by Joanna Fiduccia and Chris Sharp, The Zero Budget Biennial is billed as the biennial to end all biennials.
Yorkshire’s Artimelt Academy is The Culture Company’s new support programme for arts organisations and individuals that wish to develop knowledge and ideas with the purpose of producing proposals of strong creative media content for digital and social media funding programmes such as Channel 4’s 4iP programme, The Wellcome Trust’s Arts Award scheme and Grants for the Arts from Arts Council England.
Wales-based artists will have the opportunity to travel the length and breadth of the country for inspiration and enlightenment thanks to a project created by artists Tom Goddard and Brian Watkins.
Sadly, a-n’s Director of Development, Louise Wirz, is leaving to explore new territories.
Contents include: Residencies and communities feature; the future of foundation courses in Debate; Big picture is Conflict by Kerry Jameson; Christine Wilcox-Baker recounts her residency at Tatton park in Collaborative relationships. PDF version [size 5 MB]. Requires PDF reader. a-n […]
Littlewhitehead, Sentient Orbs, mixed media installation, 2009. Installation view at Talbot Rice Gallery (part of ‘Grey Matter’ exhibition).
Through its ongoing research and dialogue with artists, a-n aims to identify themes that consistently appear in each and every artist’s requirements, no matter how diverse their practice.
Well done Renos Lavthis for your letter in support of John Nutt’s December letter with regard to the debate on art today.
Linda Ball is project leader of Creative Graduates Creative Futures the largest research study to date about the career paths of art and design graduates. She talks to Jane Watt about the research, her own experience of a portfolio career and the importance of having creativity at the core of professional practice.
When I look at many of the images and articles that frequently appear on various sites over the web and in contemporary art magazines including a-n, I can feel my whole artistic beingand personality sinking into some sort of hopeless psychological swamp or pit.
Following on from recent discussion in a-n Magazine surrounding the state of Higher Education, in this month’s Debate lecturer Chris Milton asks whether the future of Foundation courses is threatened.
Modern Art Oxford, Oxford, 12 December – 7 March
ArtSway, Hampshire, 21 November – 24 January
Aspex, Portsmouth, 14 November – 24 January
The Collective Gallery, Edinburgh, 5 December – 31 January
Rokeby, London, 13 January – 19 February
Jack Hutchinson reports back from The State of the Arts – The Conference for the Arts, hosted by the Royal Society for the Encouragement of the Arts, Manufacturers and Commerce (RSA).
With entry to John Moores closed by the time you read this, you’re either registered and in with a chance for the
It’s encouraging to see a number of AIR members amongst the 152 people appointed by Arts Council England to write assessments on the artistic work of its regularly funded organisations.
Arts Council England has embarked on an extensive exercise to consult stakeholders including artists on their policies and priorities for the future.
More than a third of UK marketing, PR and publishing professionals admit to using images illegally from the Internet.
Suki Chan’s first exhibition as a curator takes place at Jerwood Space, London, 3 March – 1 April.
News from a-n’s archive.
This month’s Bites.
Read guides and profiles that offer valuable information, insights and strategies on art practice from a range of expert voices. Plus extensive archive of past publications.
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