MA and post-graduate course index
Further details from a selection of this month’s MA and post-graduate course advertisers
Further details from a selection of this month’s MA and post-graduate course advertisers
Since the launch of Own Art in 2004, over
Contemporary Art Society’s latest initiative, the Annual Award for Museums, will provide
“Sensuous, delicately crafted, beautiful” are not the typical adjectives one would normally affix to the kind of art featured in the Turner Prize.
Artist/filmmaker Anton Hecht’s new work will premier this month.
Tether is a Nottingham-based artist collective that forms the nucleus for a cluster of associated activity, including studios, exhibitions, off-site projects, a video programme and podcasts, even stretching to a ‘Tether’ festival.
This month’s artworld movers.
A new site-specific installation for St Martin’s Church, Colchester, The Manifestation is a unique collaboration founded on the global dialogues of Richard Layzell and Tania Koswycz and presented by Firstsite in partnership with the Colchester Arts Centre.
A remarkable place on the outskirts of Vienna, Macondo exists between an airport, a freeway and the imagination.
‘Overview’ features a new body of work by mixed media artist, Susan Kinley, made over the last three years linking themes of aerial viewpoints, boundaries and fragmentation.
Emma Lilley discusses Kate MccGwire’s work Sluice.
Find and advertise work in the visual arts with employer profiles and good practice resources at www.a-n.co.uk/jobs_and_opps
Beacon co-director John Plowman and artist Kelly Large discuss the project ‘Our Name is Legion’.
It’s great to have critical writing by Sonya Dyer on the Mobile Conference in the May issue of a-n Magazine, but can I correct some inaccuracies in her coverage?
Trying to Cope with Things that aren’t Human (Part One)
AirSpace Gallery, Stoke-on-Trent
28 March 9 May
One And All
Castlefield Gallery, Manchester
3 April 17 May
Louise Bristow: Hidden Persuader
Permanent Gallery, Brighton
28 March 26 April
True Riches
www.ica-liveart.org.uk
Australia’s initial hopes that it would escape the worst of the global financial crisis have vanished.
Arts Council England announced a package of measures to support artists and the arts as they battle a recessionary period.
An overview of curatorial practice, highlights profiles and other resources on this topic.
The relationship between artists and money has always been one of contradictions and idiosyncrasies. Fine art higher education in the UK concentrates mainly on the artist’s intellectual pursuit, somewhat disconnected from any idea of financial independence.
Mark Wilsher talks about combining the roles of artist and curator in his own practice.
Rachel Garfield explains how a desire to critique dominant models of the mainstream informs her curatorial practice.
Shezad Dawood discusses how he see curation as an opportunity to explore the interplay between his own work and that of other artists.