Simon Tegala
Simon Tegala tells how he needs to adopt many different roles to realise the production of his curatorial projects.
Simon Tegala tells how he needs to adopt many different roles to realise the production of his curatorial projects.
Open studio events around the UK plus calls to take part.
The Centre of Attention (Pierre Coinde and Gary O’Dwyer) reveal their approach to ‘participatory curating’.
Growth of independent curators and curatorial agencies within the UK over the last decade is no accident. Generated in part as a response to inherent constraints within the traditional gallery and museum world and development of specialist curatorial courses, it has undeniably brought fresh perspectives to artist-curator relationships and, increasingly, supports those practitioners seeking to move across into curation as a natural extension of their visual arts practice.
Emily Druiff and Sophie Hope discuss independent practice in relation self-initiated curator and artist-led projects.
Caroline Saul, Bulbous Form One, recycled plastic milk bottles, 45x45cm, 2008.
I’m sure most a-n Magazine readers have noticed the increasing frequency that they post off their exhibition opportunity submissions neatly packaged with a cheque inside. The amounts can vary dramatically and sometimes seem like money well spent.
Peckham Space is open to continuing the debate on Mobile Conference initiated by Sonya Dyer in a-n Magazine (Debate, May 2009).
Tim Birch explores the ideas of making and taking time to write in online environments.
David A Bailey talks about how his socially-informed work has led him to curate projects that set it within a wider (art) historical context.
Erica Tan describes her career as requiring her to undertake different roles, of which ‘artist’ and ‘curator’ are only two of many.
Gavin Wade talks about his role as a ‘professional curator’ working outside of an institution.
Jananne Al-Ani describes how her experiences as an artist have informed her development of curatorial projects.
Anne Bean argues that ‘artists who curate’ should lead their own agenda.
Contents include: Jane Watts reports on Brighton Symposium ‘Is Design Good for You?’; Margaret James-Barber and Buffy Klama on ‘M6-M3 Underway/Unterwegs’; Anna Dumitriu profiled; plus Nottingham/Dresden review feature ‘Don’t mind the gap’. PDF version [size 4.2 MB]. Requires PDF reader.
Showcase of all the best graduate art and design shows. In ‘School reunion’ we re-visit three graduates from our 2003 a-n Magazine degree show reviews feature ‘School’s out’ plus advertising for degree shows around the UK. Downloadable pdf version [size […]
Sean Edwards is one of the three graduates from the 2003 a-n Magazine degree show reviews feature ‘School’s out’ who has given updates on their practice in ‘School reunion’ as part of 2009 Degrees.
Andrew Maclean is one of three graduates from the 2003 a-n Magazine degree show reviews feature ‘School’s out’ who hav given updates on their practice in ‘School reunion’ as part of 2009 Degrees.
Timely, expert advice that explores working relationships between arts organisers and artists and provides guidance for advisors and tutors. This publication draws upon several artists’ experiences of working together spotlighting a series of artist interventions across Eastborne and an award […]
Margaret James-Barber and buffy klama (yK) offer two complimentary points of view about ‘M6-M3 Underway/Unterwegs’, an artist-initiated exhibition programme for artists in NW England and Berlin, and its legacy for their own practices and future collaborations.
Institute of Contemporary Interdisciplinary Arts, University of Bath
4 March 12 June
An overview of the cities’ respective artist-run scenes
Benet Spencer’s History Painting.
Jane Watt reports on the Brighton symposium Is Design Good For You? considering the range of projects that artists undertake in healthcare environments.
Following a quiet call for tenders in late December, the Cultural Leadership Programme (CLP) has awarded funds totalling