Contents include: Swansea round-up in Reviews, plus Charles Danby on artist Chloë Steele and the curatorial role of Day and Gluckman. Artists Sarah Craske and Stacy Keeler and Margate Rock’s curator Jessica Baum discuss their working relationship. Summary of artists […]
Penny Jones profiles Fred Baier exploring the development of his career since the 1970s and commissions for an impressive range of private and public clients.
Manick Govinda explores The Arts Foundation’s numerous awards for individual artists and looks at the impact they have on the receipients.
Frances Lord pulls together themes and strands that emerge from sixteen newly-commissioned interviews, which reflect the sheer diversity of working practice within the applied arts.
Reading the thoughts of four graduate artists from 1998 in, That was Then, but This is Now (2008 Degrees, May 2008), I couldn’t help reflecting on my own experiences, graduating as a mature student from the Masters programme at the Kent Institute of Art and Design, where I had spent two challenging and happy years pursuing ideas about the creative process itself, using Franz Kafka and Henri Bergson as foil and focus for my final work.
Artists’ organisation CARFAC played a pivotal role in last year’s Ottawa Visual Arts Summit where formal and informal gatherings brought artists, administrators, academics and volunteers together to set direction for the visual arts community in the coming years.
I am writing in support of the letter by a large group of artists in a-n Magazine, April, addressing the problem of unpaid design work public art commissions.
Kent, and the Kent Coast in particular, has become host to a series of contemporary art festivals and international events.
Artists Sarah Craske and Stacy Keeler and curator Jessica Baum talk about the challenges of working together in the latest in our collaborative relationships series.
Sarah Craske & Stacy Keeler, The Womens’ Land Army, found materials, plant and performance. Commissioned by Margate Rocks 08.
Students from universities and art colleges across the UK will be travelling to the capital to showcase their work over the summer.
In the second part of our focus on open studio events we profile four organisations providing space as well as the opportunity to exhibit and sell.
Various venues, Manchester
5 April –1 June
Charles Danby reviews the work of Chloë Steele and considers the role of artist-curator duo Day and Gluckman whose notable track record continues throughout 2008-09 with a programme of five exhibitions for the law firm Collyer Bristow LLP.
The largest UK annual event of its kind, Hereford Photography Festival celebrates its 18th year in 2008.
Round-up of support to artists policies in Canada, England and Australia.
Eighty-one artists have been selected from 235 applicants for the 2008 Glass Biennale exhibition.
Berlin plays host to two events that utilise openness as a means of operation; naturally resulting in two distinctly different outcomes.
Seven Midlands-based producers and curators have taken part in an innovative programme, Momentum, to develop their ideas and support them in making art.
The first week in June will see around 60,000 artists, collectors, gallerists, curators, and art enthusiasts from across the globe flock to the Swiss town of Basel for the 39th edition of Art Basel.
This month’s new appointments.
Frances Lord explores Michael Marriott’s career and practice which involves exhibition design, curating, writing, product and furniture design and installation.
Leeds Met Gallery, Leeds
18 April – 17 May
Various venues, Swansea.
In early April 2008, fifteen artists from around the UK took part in a research visit to Lille, France, entitled ‘The Artist as Social Entrepreneur’.
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