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Studio Voltaire
S Mark Gubb profiles Studio Voltaire, the first and only artist-led gallery and studio complex in South West London.
Resources - Page 71 of 170 - a-n The Artists Information Company
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Vane
S Mark Gubb talks to Vane about its evolution from an artist-led platform in Newcastle to an artists’ agency operating internationally.
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Gavin Wade’s Strategic Questions
S Mark Gubb profiles artist Gavin Wade and his project that aims to tackle the role and function of art.
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R O O M
S Mark Gubb profiles R O O M and learns about its journey from artist-led venue in Bristol to a commercial space in London.
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Mary Mary
S Mark Gubb talks to Glasgow’s Mary, Mary about their transformation from artist-led project space to commercial gallery.
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Moot
S Mark Gubb profiles Moot, a Nottingham-based gallery that aims to act as a catalyst for the local arts community.
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Associates
S Mark Gubb looks at twelve months of activity at Associates gallery, promoting and supporting emerging artists.
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no.w.here
S Mark Gubb profiles no.w.here, an artist-run project space which expands and examines film within contemporary arts practice.
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The International 3
The International 3 is an exhibition and project space based in Manchester that runs as a not-for-profit company. S Mark Gubb looks at their activities and development.
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Colony
S Mark Gubb on Birmingham-based Colony, a space inspired by the artist-led initiatives of the 60s and 70s.
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a-n Magazine October 2007
Contents include: Crafts strategy examined plus Focus on rural arts initiatives. Alex Hartley’s photographs draw attention to potential for architecture. Jerwood shortlist: drawings by Kerry Phippen, Adam Sunderland and Holly Atrum. New a-n+AIR Public and products liability insurance for AIR members, plus Interface site launched. PDF version [size 8,655 kb]. Requires pdf reader.
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Country living
Country living puts a spotlight on artistic activity in rural locations. Rosemary Shirley’s opening essay explores her frustration with the dominance of urban culture and assumptions often made about artistic practice that takes place outside of it. She highlights practices […]
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Wysing Arts Centre
What gives a particular place its characteristics? Why are some cities hip and others lame? How does a neighbourhood change from good to bad?
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Karen Lubbock
Karen Lubbock is the creator of Karen magazine, which delights in the ordinariness of everyday life, providing an antidote to the mainstream celebrity and lifestyle magazine world.
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Kypros Kyprianou
Sally Davies profiles Kypros Kyprianou, discussing his interest in scientific themes, collaborative working and residencies at Artsway and Allenheads Contemporary Arts.
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Digital resources
Exploring selected arts organisation with significant facilities and programmes for digital and new media practices.
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On the cover – 2007 October
Zadok Ben-David, Black Field (detail), site-specific installation, hand painted, acid etched stainless steel, dimensions varied, 2007.
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Rural initiatives
Highlighting new projects by organisations located in Aberdeenshire, Cumbria, Devon, Dumfries, Fife, Mull, Lancashire, Norfolk, Northamptonshire, Suffolk, and Western Isles. “There is, in truth, nothing essentially backward-looking, conservative or traditional in rural culture. There are too many innovators, in too […]
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Editorial – 2007 October
This month’s a-n Collection: Country living puts a spotlight on artistic activity in rural locations.
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Country living
Rosemary Shirley explores her frustration with the dominance of urban culture and assumptions often made about artistic practice that takes place outside of it, in an a-n Collection that puts a spotlight on artistic activity in rural locations.
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a-n+AIR October 07
NEW AIR benefits
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Insurance for artists
In November, a public liability insurance scheme aimed especially at practising visual and applied artists will be launched through a-n. Here we set out the context for the new scheme and highlight the research by Platform 3 that has informed it.
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What is critical writing?
Chris Brown, Reviews Editor for a-n Magazine, talks to a selection of writers about the practice and pitfalls of taking up the pen.
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Strangely sterile
If Andrew Bryant is “trying to figure out what kind of artist I am”, what is his role as a teacher? His blog seemed to show what I consider is ‘wrong’ with so-called conceptual art of the recent (ie Saatchi) […]
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Erratum
Corrections from the September issue of a-n Magazine.
