The art of living dangerously
The art of living dangerously in pdf format
The art of living dangerously in pdf format
Provocation urging all those working with arts and culture to rethink their contribution to a vision of sustainable development that benefits the whole of society.
Dany Louise collates material that is being widely shared across social media and peer networks to provide fascinating insights around the broad topic of payment of and working conditions for freelance arts professionals, complementing the more traditional Literature review that has been produced by DHA.
A short paper that briefly reviews some of the existing literature – research, resources and approaches to artists’ terms and conditions in exhibition practice – which have been referenced or provided useful context and comparison for the Paying Artists Study.
As part of its programme, Artworks Navigator developed this bibliography to identify and present a range of available resources for artists working in participatory settings.
A summary of the key learning from four Artists Labs run between August 2012 and January 2013 by the Navigator pathfinder as part of ArtWorks.
Susan Jones introduces a collation of key documents and evidence that informed a-n’s publication of fees and payments guidance and good practice documents. This report aims to widen understanding of the history and prior good practice thinking and attitudes around payment to artists.
Second phase of research study commissioned by a-n and AIR looking at artists experiences of exhibiting in publicly-funded venues. Overview of main findings from interviews with artists and publicly-funded venues that deepens understanding of data Phase 1 findings and explores perceptions and issues from both sides of the experience.
Research study commissioned by a-n and AIR looking at artists’ experiences of exhibiting in publicly-funded galleries. Phase 1 is based on an online survey exploring artists’ experiences of exhibition practice.
What you need to know, and where to find it when stepping out as a new artist.
An artwork by Kevin Hunt created as part of Signpost that aims to draw attention to some of the most superb activity being facilitated by emerging independent artists and curators right now in the UK.
An analysis and commentary on artists’ work and opportunities in 2012.
How do artists fare when they show work in publicly-funded galleries in the UK? Research in 2013 led by AIR – Artists Interaction and Representation as the first stage in the Paying artists research and campaign presents some thought-provoking data […]
2013 Degrees publication highlighting the best graduate art and design shows around the UK.Downloadable PDF version [size 6 MB]. Requires PDF reader.Issue also available in flip-page format (requires Flash) – including non-Flash version for mobile devices.
After keeping his video blog on Degrees unedited since November 2012, Joshua Tyson tells us of ‘The soap factory’ and its culture, in time for degree shows at University Campus Suffolk.
After joining Degrees unedited in March 2013 Jasper Weinstein Sheffield has showed us there’s much more to his conceptual approach than a blade of grass. He tells us more as prelude to degree shows at Northumbria University.
Ali Reed joined the Degrees unedited blogs in November 2012, since then we have seen her work develop site-specifically and professionally. Here she tells us of her plans for degree shows at Staffordshire University.
After joining Degrees unedited in February 2013 Catriona Meighan has explored book works and large scale installations during her time at Edinburgh College of Art. In time for degree shows she tells us of her aspirations for negative space.
6 December 2011. 3331 Chiyoda, Tokyo. Edited transcript of recorded interview.
As part of Joshua Sofaer’s Artist as Leader research, Masato Nakamura discusses his commitment to transforming the art education system in Japan, and the inauguration of a new model of art centre “founded on the basis of artist leadership”.
Sarah Rowles research looks at approaches to teaching professional practice within fine and applied arts programmes and identifies the role a-n and other professional development organisations can have in supporting student learning in the future. Pdf, Requires pdf reader.
Lauren Healey talks to Northern Art Prize 2011 winner Leo Fitzmaurice about objectness, appropriation and his time-intensive research process.
We catch up with Sikander Pervez, as he enters his final term at Staffordshire University, to talk material, machinery and the function of repetition in his practice.
17 February 2012. The Museum of Jurassic Technology, Los Angeles. Recording Time: 39 minutes.
As part of his Artist as Leader research, Joshua Sofaer talks to David Wilson, the Director of The Museum of Jurassic Technology in Los Angeles, about the “grey areas” and “inspiration as a form of leading”.
Over the course of four years, artists, curators and writers were invited to select blogs from the a-n site. Their choices highlights the range and depth of practice discussed on a-n’s artists’ blogging platform at that time.
Video of artists Robbie Lockwood and Stefan Szczelkun discussing sustaining their practices, the benefits and challenges of working in collectives and radical approaches to education groups.