World Gone Mad
Herbert Read Gallery, Canterbury
20 January 25 February
Herbert Read Gallery, Canterbury
20 January 25 February
In June 2004 I was shown around an empty flat in Farley Bank, Hastings, with a view to taking it on as an experimental space.
Contents include: David Clarke and Simone ten Hompel on friendship and competition in the studio. Southwell Artspace launched while Lisa Scantlebury makes Station disappear. Craft news from London and Wales. Getting to know the unknown sitter – and the benefits […]
Elaine Speight considers how issues raised by the Import/Export event held in Newcastle upon Tyne in December 2005 might apply to artists and networks in provincial locations.
Outer space investigates the interface between artists’ practice and the socio-political domain. Devised and edited by Esther Salamon, contributors include Chris Batt MLA, Paul Collard Creative Partnerships, Jonathan Davis CABE, David Lammy MP Minister for Culture, Graham Leicester International Futures […]
Catherine Bertola and Emilia Telese explain the thinking behind the event.
Index of organisations visited or mentioned during the event.
Biographies of Import/Export speakers.
Artist’s jobs and opportunities 2003 – 2005
Gillian McIver on international networking.
Isabella Streffen on her own research and its relationship to the Import/Export event
Samuel Dowd and Hayley Skipper of SpRoUt respond to Import/Export.
Janie Nicoll reflects on her continuing relationship with NAN events.
Contents include: Layla Curtis travels to the ends of the earth. Ali Beddoes enjoys artist-curated show in Birmingham and Nicolas Deshayes reviewed at Nottingham’s Moot Gallery. Extracts from Curated space online think-tank plus Paul Hamlyn grant winners announced and news […]
Notions of sharing knowledge and experiences both good and bad are inherent within those who seek continuous improvement and development in their artistic practices.
Dr Malcolm Miles, Reader in Cultural Theory at University of Plymouth comments.
Social Work: Four Live Projects is an exhibition of work by four Manchester-based artist duos at the citys Cornerhouse centre for contemporary visual arts and film until 16 April.
The ACE letter [Comment, a-n Magazine January] is a typical response that we have had reoccurringly for the past two years!! The only difference is the issue has always been swept under the carpet and kept hush hush in Nottingham […]
It is vital to widen participation and support social inclusion towards visual literacy must be easy for Susan Jones to write [Editorial, a-n Magazine January]. Hindsight often clarifies the morass between us and them, but try looking from my side. […]
Arts Council Englands 2005 annual review shows a mixed picture of efficiency savings countered by increases in costs elsewhere.
The announcement by Northern Irelands Review of Public Administration (RPA) last November avoided offering specific proposals for cultural funding but suggested that responsibility for the arts will ultimately be handed over to local authorities.
In response to Polly Veritys article New Contexts in the December issue of a-n Magazine, I would like to highlight an exciting new development currently underway in Edinburgh. In 2005, Edinburgh Sculpture Workshop received major funding from the Scottish Arts […]
Elaine Speight considers how issues raised by the Import/Export event held in Newcastle upon Tyne in December 2005 might apply to artists and networks in provincial locations.
It has been a phenomenal time for us.
Artsway, Hampshire
3 December 19 February