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On the cover – 2007 November
Jeffery Byrd, Holy Ghost, performance, Boston, 2004. Photo: Bob Raymond
Feature - Page 13 of 32 - a-n The Artists Information Company
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Artists’ development in practice
Professional development opportunities are widely available, ranging from cash awards to advisory sessions and critical debate.
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The essence of performance
The focus generated this month by ‘Vital 07’ is the catalyst for exposing of some of the UK’s key promoters of live art today.
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Digital resources
Exploring selected arts organisation with significant facilities and programmes for digital and new media practices.
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On the cover – 2007 October
Zadok Ben-David, Black Field (detail), site-specific installation, hand painted, acid etched stainless steel, dimensions varied, 2007.
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Rural initiatives
Highlighting new projects by organisations located in Aberdeenshire, Cumbria, Devon, Dumfries, Fife, Mull, Lancashire, Norfolk, Northamptonshire, Suffolk, and Western Isles. “There is, in truth, nothing essentially backward-looking, conservative or traditional in rural culture. There are too many innovators, in too […]
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Country living
Rosemary Shirley explores her frustration with the dominance of urban culture and assumptions often made about artistic practice that takes place outside of it, in an a-n Collection that puts a spotlight on artistic activity in rural locations.
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Marketplace
Patricia Fleming discusses the relationship with the art market for artists and curators in Wales and Scotland.
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Trade off: Markets for art in the UK
Emilia Telese’s opening essay offers analysis of the markets for art in the UK highlighting the ‘contradictions and idiosyncrasies’ of the relationship between artists and money,
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On the cover – 2007 September
Elizabeth Masterton, There’ll Always Be An England, installation, 2007. Photo: Paul Ridout
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Debate
If you were the Arts Council, how would you do it?
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Commodification / co-modification
Martine Rouleau wonders what or who is susceptible to change the market. Can artists adapt it to their own expectations and should the demands of the market influence artists’ work?
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Our survey says
Ayling & Conroy survey the motives and trends that effect how UK commercial galleries select artists to exhibit.
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Market gardening: Artists’ responses to the art market
Charlie Fox’s critical response to the different positions taken up by dealers and curators vs non-object based artists within the art market.
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Jobbing artists and the UK markets
Ken Pratt gives an overview of the international art market from a curator’s point of view.
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Rare diamonds: A beginners’ guide to the art market
Guyan Porter talks about the socio-economic dynamics of art markets and deconstructs notions of the art market in the UK.
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What does it mean to be a successful artist?
Paul Stanley and Rachel Cattle in conversation about what defines success.
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On the cover – 2007 August
Kerry Harker, Narcissist, T-shirt with vinyl lettering, unlimited edition multiple. Photo: Cathal Carey
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On the cover – 2007 July
Jessica Preston, Circles & Cones, 3D textiles, cotton, 2007.
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On the cover – 2007 June
Rick Schofield, photograph from the Peer series, 2007.
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The artist’s fees toolkit
This toolkit takes artists step-by-step through a process to calculate an individual daily rate and prepare quotes for freelance work.
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Artists and pensions
Artists’ Insights Coordinator Simon Zimmerman reports on a new development.
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The artist’s development toolkit
This online self-completing toolkit is designed to enable visual and applied artists to develop themselves and their practice accordingly to their own interests and circumstances.
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On the cover – 2007 May
Anna Lewis, Cathexis, mixed media installation, 2007.
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On the cover – 2006 November
Michell Wren, Story has it, if the Birds move at all, the whole of Liverpool will crumble and fall, No.2, mixed media, 2006.
