Alghiero Boetti (after, Portrait by Paolo Mussat Sartor)
Images by Vancouver-based artist Kathy Slade.
Images by Vancouver-based artist Kathy Slade.
Ive been working in and around transdisciplinary practice for the last twenty years now, and have found it to be a fertile and stimulating ground both for those working consistently within it or just passing through, Ive just noticed that only recently has it started to become fashionable.
With a background in architectural design, followed by research in architectural history, and then a period teaching public art and writing art criticism, my research has tended to focus on transdisciplinary meeting points between feminist theory and architectural history, conceptual art practice and architectural design, art criticism and autobiographical writing through individual and collaborative research projects.1
Life flows forth out of the door from the limitation of isolated separate existence into the limitlessness of all possible directions. Georg Simmel, Bridge and Door
Andrew Dodds contribution to The dream that kicks, a-n Collections.
As you will have by now no doubt ascertained, The dream that kicks: Transdisciplinary practice in action is a curious collection of works, which at once demonstrates and queries its subject.
Edith Marie Pasquier introduces her selection of Artists profiles.
Guyan Porter reports on the recent NAN event that brought eleven artists from Scotland together with thirty artists and arts workers from the north west of England.
Emilia Telese describes Icelandic solutions to artists interaction.
NAN: Networking Artists’ Networks
Foreword by Jane Watt.
Jane Watt examines NAN’s characteristics and its relationship to the current networking climate.
Key NAN statistics.
Charlie Fox on what networking means to artists.
Jane Watt outlines the core strengths of NAN and looks to the future.
Tristan Hessing of Moot reports from the NAN-NANA event.
Grayson Perry on exhibiting in The Raw and the Cooked.
Artist David Macintosh takes a personal look at collaborative working.
Susan Jones introduces Perspectives on practice, an a-n Collection selected by Tom Burtonwood from a-n’s ‘back archive’ of publishing from the 1990s.
Tom Burtonwood introduces his selection of articles from a-n’s archives for Perspectives on practice, illustrating the impact a-n has had on foregrounding developments in artists’ practice and strategies.
Nina Edge on her portfolio career.
Artists motivations when working in the public realm.
Mike Stubbs examines some issues facing artists.
Rosie Millard looks as two projects about womens art.
David Briers examines The British Art Show 4.