a-n goes to college
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Now available online at www.a-n.co.uk, Compass is a tool for professional practice teaching in FE and HE institutions.
Our open space for critical writing about exhibitions, projects and publications is online now. Anyone can read the reviews or say something pertinent about a contemporary visual arts project. The site will grow as you contribute to it.
Anna Gray and Polly Verity, two artists who attended last months Networking Artists Network event in Glasgow, report on the days activities.
Brief extracts from the Social space presentations and discussions, to introduce the issues and broaden participation.
A-n’s commissioned research into rates of pay.
ten two zero zero five is a collection of eclectic writings that are embedded within sites of specificity as defined by their subject matter.
William Davies’s contribution to ten two zero zero five, a-n Collections.
Maria Fusco on artist’s books, her contribution to ten two zero zero five, a-n Collections.
Adam Sutherland’s contribution to ten two zero zero five, a-n Collections.
Sally O’Reilly’s contribution to ten two zero zero five, a-n Collections.
Sacha Craddock’s contribution to ten two zero zero five, a-n Collections.
Rob Wilson’s contribution to ten two zero zero five, a-n Collections.
S Mark Gubb takes a look back at the first year of the NAN bursary scheme and the artists groups it has supported, exploring the advantages of knowing that “you are not alone”.
With Arts Council Englands Grants for the arts scheme back after a summer break, a-n engaged a team of experienced prospectors to share their top tips on making successful funding applications. Rosemary Shirley reports.
Stephanie Délcroix on the processes of public commissioning in France.
Jonathan Swain introduces a new series of articles resulting from Close proximity, a two-day NAN event that took place at New Greenham Arts in Berkshire, 21-22 May 2005.
Helen Sloan looks at changing opportunities for UK artists in the current cultural climate.
Poet Markus Lloyd offers his solution to creative isolation.
Emily Collins offers her views on what she saw, heard and learnt at Close proximity.
Improving local networking was one of the main conclusions of Close proximity. Artist David Thomas offers his views.
Close proximity offered different means of debate in different locations, Polly Carter examines her reaction.
Close proximity speaker, David Cotterrell gives his view of the pitfalls and advantages of work in the public realm.
Stephanie Délcroix on the processes of public commissioning in France.
Miranda Whall and Graham Dolphin discuss programming and participating in a research trip to Berlin.