Shifting practice is the second in the a-n Collections series, published to coincide with our 25-year anniversary. Guest edited by John Beagles and Paul Stone, it takes the artist-led initiative as its starting point.
Rohini Malik Okon introduces her selection of articles for the first a-n Collections.
Jane Watt reports on the NAN event that took place in Norwich in March.
Susan Jones on a US conference highlighting connectivity.
Recent graduates on their first year as professional artists.
Bruce Haines profiles Johannes Phokela’s ongoing partnership with Gasworks in London.
Laura Hewitt on Hotel Mariakapel, an artists’ initiative where the ideas of intimacy, dialogue and collaboration are fundamental concerns.
This spring, as part of the Africa 05 arts festival, a number of artists from around the African continent are in London making new work for various cultural institutions. Paul Glinkowski introduces the work of five of them.
In February, contributions were invited by a Parliamentary Select Committee from key visual arts organisations to an inquiry into DCMS’s support of the art market, in particular into “ways of supporting and encouraging living artists and the production of new work”.
a-n’s Director of Programmes Susan Jones introduces Good practice in paying artists.
Hilary Thorn on a discussion event held at Static Gallery, as part of the NAN Artists’ research trip to Liverpool Biennial, which looked at the verbal languages through which art is explored.
Kathryn Smith on Johannesburg and Virginia Mackenny on Cape Town. The second part in a series commissioned by Deborah Smith.
Chris Brown of g39 and Louise Short of Station, devisors of Quo Vadis, reflect on the motives, intentions and themes of the event.
Dominic Thomas on the importance of a critical context for artists’ practice. One of a specially commissioned set of articles resulting from Quo Vadis available now on www.a-n.co.uk.
Paul Glinkowski on the circumstances around cultural barriers and how they can be breached or transformed.
Philip Babot on the cross-border and international achievements of artists’ organisations in South Wales.
Or: Where do you go? Who goes there? Who are we anyway? Carolyn Black enquires.
Luiz Camillo Osorio on Rio de Janeiro and Ana Paula Cohen on S
Alice Maude-Roxby on photographing Michael Stevenson’s Rakit.
Edith Marie Pasquier interviews Ali Zaidi of motiroti.
Catherine Wilson profiles inIVA’s achievements over the last decade.
Gordon Dalton reports on the Curating Now symposium at the Irish Museum of Modern Art hoping to find the future of curating in museums.
Devised by Grizedale Arts, ‘Romantic Detachment’ features artists from the UK and the USA. Brian Dewan’s text forms part of his performance/installation for the exhibition.
Projects and collaborations rarely spring into existence fully formed. Hilary Williams examines a short project that developed into a major programme, led to the setting up of a new arts business, and to jeweller Mah Rana uncovering new tracts of material and experience.
A-n Director of Programmes Susan Jones reviews artists’ jobs and opportunities over the years.
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