Amorphus combustion: Community exchange
Stewart Noble’s presentation on the benefits and effects of Local Exchange Trading Systems (LETS).
Stewart Noble’s presentation on the benefits and effects of Local Exchange Trading Systems (LETS).
Len Horsey profiles his residency at Kulturhuset USF and the thriving art scene in Bergen.
John Beagles considers the cult-like behaviour of the art world.
Michelle Cotton reviews Sue Tompkins’ performance and considers its relation to the themes of the day.
Luke Fowler responds to Dennis Tourish’s paper on Cults in Politics: The Psychological dynamics of Influence.
Gair Dunlop responds to Heidi Campbells presentation.
Kaavous Clayton reports from the InFest: International Artist-Run Culture conference in Vancouver, Canada.
Aikaterini Gegisian profiles The Leleg Institute Project, a platform for collaboration and cultural exchange in Turkey.
For the final article in this series Jane Watt asks artists and commissioners about their involvement in current innovative projects.
Winners of the decibel visual arts awards, aimed at black and Asian artists, and curators, were announced in March.
Nisha Duggal reports from A Free State, the recent culmination of decibel, Arts Council England’s cultural diversity profiling initiative.
Giles Sutherland looks at the relationship between glass artist Keiko Mukaide and Edinburgh College of Art.
Helen Maurer and Bernd Behr share their response to this exhibition of historical work and its relation to their practice. Introduction, research and interviews by Rosemary Shirley.
John Beagles comments on the increased presence of artist-run initiatives at this year’s Glasgow Art Fair.
Lesley Millar, Project Director of ‘Through the Surface’, profiles the process and outcomes of this major collaboration between artists from the UK and Japan.
Paul Glinkowski profiles the work of Paul Bonaventura, co-founder of The Laboratory, the research wing of the Ruskin School of Drawing and Fine Art at the University of Oxford, in the fifth article of the ‘Crossing over’ series.
Lorna Green reports on the China Changchun International Sculpture Conference 2003 and opening of the Changchun World Sculpture Park.
Edith-Marie Pasquier talks to inIVA Director Gilane Tawadros and artist Alia Syed about their experience of working together.
Roy Exley reports on the ‘Emergency’ exhibition and symposium in Portsmouth.
Gillian Nicol reports on Montreal’s vibrant artist-run sector.
Jane Watt discusses contemporary approaches to the creation of public monuments.
Julie Brook gives a personal account of her involvement in the Comhla International Artists Workshop in North Uist.
Michelle Cotton examines how the local art scene reacts to the international attention focused on the city during the biennial.
Mark Gubb visits Thanet in Kent to meet artists and hear about the cultural revival underway.
Jeremy Akerman talks to curator Jeremy Millar and artists Annelies Oberdanner and Tariq Alvi and asks what curators and artists want from each other.