Fresh start
Paul Edwards describes how residencies provide him with the opportunity to concentrate wholly on his practice.
Paul Edwards describes how residencies provide him with the opportunity to concentrate wholly on his practice.
David Butler discusses the shift in government policy that increasingly recognises the role of artists in contributing to ‘social inclusion’ initiatives and welcomes your response.
Penelope Curtis explores how ‘installation art’ has affected our readings of art, artists and curators.
Heather Rigg reports on a professional development scheme in Suffolk that provides a package of support for artists in that region.
Last September a diverse group of artists from Germany, Austria, Russia, Scandinavia, the US and UK assembled in the studios of the Academy of Media Arts in Cologne for a frenzied weekend of live performance. Rob Flint was one of the participants.
New Delhi isn’t an obvious destination for visual arts practitioners. However, as Judith Staines discovered, scratch the surface and a more interesting picture starts to emerge.
Claudia Zeiske brings to our attention a new artist-in-residence programme in north east Scotland, supported by the Glenfiddich Distillery.
Bruce Haines describes the organisational processes involved in his role as one of the curators and organisers of an international exhibition.
Stephanie Delcroix delves into the future with Don Foresta and finds a ‘utopia for lazy multimedia artists’ in the Marcel network.
Continuing our series of articles focusing on the career development of well-established artists, painter Geraint Evans talks to Sally Shaw about his success.
Artists Yusupha Jawara and Sabera Bham met through a project called artxchange, which brought artists over from the UK to share skills with Gambian artists. Eddie Chambers tells how this first meeting, and the realisation that both had similar concerns in their work, led to collaboration.
In 2001 Lorna Green took part in projects in Austria and Korea that had been organised by the Artists in Nature International Network (AiNIN), a web-based organisation for artists, musicians and writers who work site-specifically with and in nature.
Simon Collison made his first visit to Iceland in summer 1998 as a guest artist at Straumur Art Commune. He had read about Straumur, some five miles from Reykjavik, in the catalogue for ‘New Territories’, a touring exhibition born out of an exchange programme, instigated by Stamford Arts Centre and featured in [a-n] MAGAZINE in 1997.
Susan MacWilliam reports on her residency at Caribbean Contemporary Arts (CCA), Trinidad.
Glasgow-based artists Ben Woodeson and John Beagles give accounts of two very different recent events in Berlin: the artist-run BBQ Project and Art Forum Berlin, the city’s annual art fair.
John Dummett reports from an international festival of live art in the Croatian capital.
Jacqueline Moon reports on how she developed her interest in the architecture of cities through travelling from her home town of Glasgow, to Barcelona.
Art.tm’s Director Gordon Rogers explains the organisation’s role in facilitating and promoting the work of visual artists in the heart of the most dispersed population in Europe.
In the summer Edinburgh-based artist Julie Read attended IMPACT, the Second International Printmaking Conference in Helsinki. She also took the chance to check out the local artscene.
Gothenburg is a sophisticated city with a population roughly the same as Glasgow, and reminded me of Amsterdam with its bike paths, cafés and friendly atmosphere. There are fabulous parks, and the islands (where cars are banned and the […]
Venice is historically a meeting point of east and west. It was from here that Marco Polo journeyed to China. Its wealth and power and hence its accumulation of art treasures is built on the control of trade […]
Susannah Silver considers the impact of the Year of the Artist and it’s legacy.
Hilary Williams takes a look at an inclusive project initiated by the Towner Art Gallery in Eastbourne that reaches out to the local community.
During a major art event it is standard practice for cultural spaces and the art market to take advantage of the international spotlight by producing parallel art events, and with the 25th São Paulo Bienal, Brazil is no exception. With this increased focus in mind, Louise Coysh reports from São Paulo and Rio de Janeiro.
Valerie Coffin Price reports on the annual ‘Sculpture by the Sea’ in Sydney.