Feature - Page 26 of 32 - a-n The Artists Information Company

Sally O’Reilly pursues the free-for-all ethos of gaming.

Fiona Rutherford rounds up what’s been happening with this artist-led textile group currently celebrating its ruby anniversary.

Site-specificity and community involvement might be buzzwords for attracting funding bodies, but they are no guarantee of project success. Emma Safe visited Swansea for this year’s Locws2 to find out how they tackled some of the issues.

Emilia Telese reports from the ‘screaming independent art scene’ in Tuscany.

Tom Burtonwood provides an overview of the artist-run scene in the Chicago.

Lorna Green reports on her participation in the Okanagan/Thompson International Sculpture Symposium in British Columbia, Canada.

Valerie Coffin Price reports from Est-Nord-Est, an artist-led centre in Quebec, Canada.

In the first of a six-part series ‘Inhabited spaces’, Alice Angus presents artists’ perspectives on language and its relationship to place.

Pete Clarke looks back at how the 1999 Biennial in Liverpool, flaws and all, raised some interesting questions that resulted in a new direction for the 2002 event and the shape of things to come.

Louise Clements and Jonathan Willett describe Spectrum 2002, a light-infused programme of exhibitions and outreach work at Nottingham’s artist-run Lightsource.

Neil Zakiewicz profiles the Triangle Arts Trust, celebrating its twentieth anniversary this year.

Louise Short explains the international networks behind the participation of UK artists in this month’s Melbourne Festival.

Simon Morrissey reports from the art scenes of two Baltic capital cities.

Tim Birch samples some of the websites selling art online.

Every summer the spotlight falls on Norwich and ‘East international’. Arguably the most prestigious open submission exhibition in the UK, curators, dealers and others visit from far and wide and many of today’s well-known artists launched their careers as a result of participation in ‘East’. But what of the artists for whom the city is home? Paul Stone visited Norwich to find out more.

Hannah Wingrave gives an overview of a conference that brought together a range of artists, academics and critics and formed part of North Devon Ceramic Events 2002.

Unless your work fits into the saleable object bracket, St Ives can be a difficult place to succeed as an artist. Artist/curator Andy Whall explains how Art Surgery could help.

Every June Basel becomes the Mecca of the international art world. The vast ‘Art 33 Basel’ and the young art fair ‘Liste’ display the mechanisms of the international art market on a scale of no other event. Exhibiting at these events is a competitive affair, and brings exposure to some of the world’s most important collectors and curators. Beverley Hood reports.

Su Grierson and Diane Maclean report on their activities as co-organisers of Looklook.

Paulette Terry Brien reports from Ex-Teresa Arte Actual in Mexico City.

Lucy Wilson takes a look at some of the glass and ceramic artwork being made and exhibited currently.

Tim Birch joins Jan Williams and Chris Teasdale mid-way through their three years on the road taking art to places that other galleries can’t reach.

Mark Gubb describes Derby’s newest artist-led organisation and calls for other artists to get involved.

Julie Read gives an account of her experience on a residency in the Austrian capital.