ACE response to Boxed in
No one likes to be boxed in; for an individual with all their human complexity to be reduced to a cipher.
No one likes to be boxed in; for an individual with all their human complexity to be reduced to a cipher.
Broadband has changed my life. As an artist working mainly with video, I can now access the work of many colleagues in a variety of contexts.
In June Transport for London launched The Waiting Room, a contemporary art scheme aimed at discouraging graffiti and vandalism by encouraging the minority of young people who behave anti-socially to take pride in the Tube.
Acknowledging the growing dissatisfaction with many aspects of contemporary life and its economically-driven social values, Destination: Geodecity on 4 and 5 August offers a bold new direction for humanity that entails nothing less than a quantum leap in both thought and action.
Presented annually at Frieze Art Fair, the curatorial programme consists of site-specific interventions and installations, performance, debate and conversation through Frieze Commissions, Frieze Talks and The Cartier Award.
A new Memorandum of Understanding between Cultural Secretary Tessa Jowell and London Mayor Ken Livingstone has set out how the National Lottery and London Development Agency will be paid back using proceeds from land sale after the London Olympics.
Susan Cross and Adam Paxon are joint winners of the 2007 Jerwood Applied Arts Prize.
Its all change at the Department of Culture Media and Sport.
Providing a collective city-wide observation, Red Line Surveillance was developed for the Festival of Extreme Building (FEB) and the New Generation Arts Festival in Birmingham.
In a monumental attempt to raise awareness about worldwide use of food resources, an international artists group are building an edible pavilion in Brighton.
A series of interventions by Johanna Hällsten are happening simultaneously at The Royal Botanic Garden, Edinburgh and Kunming Institute of Botany in China.
Contents include: Manick Govinda calls for action against ACE’s cuts to Grants for the Arts. Extracts from Margareta Kern’s blog on Projects unedited. Reviews from Oxford, Liverpool, Leeds and London. Jo Wilson on the built environment and public art, plus news from The Showroom’s annual conference. PDF version [size 4.2MB]. Requires pdf reader.
Jessica Preston, Circles & Cones, 3D textiles, cotton, 2007.
Published this month is the fourth in the a-n Research paper series presenting and distributing across our wide constituency Sonya Dyers Boxed in: how cultural diversity policies constrict black artists1
I doubt if this letter will get to you, but I hope it does and that you have a chance to read it and seriously consider what I have to say.
Last year I responded to an offer of funding by the Juliet Gomperts Trust (JGT) which was advertised in a-n Magazine.
The arts community were shocked and dismayed by the surprise announcement of a huge 35 per cent cut in the Arts Council England (ACE) Grants for the Arts (GFA) scheme announced on 1 April.
Public art is the opportunity for an artist to affect a locality, and to engage and challenge its community.
As part of London Sustainability Weeks 2007, AIR member Ana Antonio Gill has created a life-size polar bear made entirely from recycled materials for the Love London Recycled Sculpture Show, Sun and Doves pub, Camberwell, London.
Produced as part of Gavin Wades ongoing project Strategic Questions, this time working with artist Alec Finlay, 100 Verses for the 3 Estates resulted from a collaboration with residents of three housing estates in Kings Norton, Birmingham.
Niki Russell reports from The Showroom 4th Annual Conference, 26 May 2007
Melanie Stidolph reports from the recent professional development session.
Commissioned through the Creative Lewisham Agency for University Hospital Lewisham, London, Chris Marshalls recently installed Blue Well aims to evoke tranquillity, calm and meditation within the context of a sensitive and critical environment.
From discarded household detritus and prosthetic limbs to the exploration of themes of religious intolerance and myths of urban history, Norwich is the location this summer for Contemporary Art Norwich 2007, a multi-venue biennial that celebrates the depth and breadth of Norwichs expanding cultural scene.
Fifteen + One celebrates the work of Axis design practice and its creative collaborations with artists. It profiles sixteen very different publications of artists work, ranging from exhibition catalogues to artists books, and includes a broad range of styles and design approaches.