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Opportunity or rip off?
Advice from artists on assessing opportunities
Archive - Page 50 of 114 - a-n The Artists Information Company
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Public liability
I understand a-n is researching the minefield of public liability insurance for visual artists.
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Scottish Executive Draft Culture Bill
As I’m sure you’re aware, the Scottish Executive’s long-awaited Draft Culture Bill was published just before Christmas.
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Alchemy programme
Manchester Museum’s first sustained research programme for artists.
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In limbo
Zoë Walker and Neil Bromwich’s Limbo-Land is a multi-media installation focused around the space of oblivion, confinement, or transition.
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International performance festival
Cardiff Art In Time, affectionately known as the ‘CAT Show’, revives one of the seminal art festivals of the 1990s.
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Lightwaves installed
Raphael Daden’s light work for the centre of Barking forms part of a regeneration programme that anticipates the 2012 Olympics in East London.
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Destinations tracked
The Culturgen project is set to establish the destinations and careers of fine art graduates from Nottingham Trent School of Art (NTSAD).
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Studio award
Nicola Wallis, a graduate of the Slade School of Art and AIR member, has won the Adrian Carruthers Studio Award.
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Maxmara prize for women
American artist Margaret Salmon was announced winner of the first MaxMara Art Prize for Women in January.
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Vickers award
Derbyshire Community Foundation and the University of Derby announce their new partnership.
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Emerging painters show
London-based Melanie Russell and Camilla Wilson are amongst thirty artists selected for the Jerwood Contemporary Painters exhibition.
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New links
A collaboration between Central Asia and UK, this project is dedicated to forging new links between art communities in these regions through artist’ residencies, cultural exchanges and exhibitions.
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Sustainable studios
A £3m investment to Scottish studio development organisation Wasps is designed to make them self-supporting in five years, and no longer dependent on arts revenue funding. A new partnership with the Scottish Arts Council will transform Wasps into one of […]
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Prize withdrawn
The Jerwood Photography Award worth £2,000 presented in December 2006 to Paul Plews has now been withdrawn following a complaint. The photographer’s submitted works, one of which was featured on the December issue of a-n Magazine, were taken from a […]
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Remember What Jack Said
The current interest in artist/architect collaborations seems to date back to the late 1970s when architect Richard Hobbs invited artists into the design process for the Viewlands-Hoffman electrical substation in Seattle.
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Playing up
Gillian Nicol explores the nature of collaborative and creative processes involved in making artwork in the public realm.
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a-n Magazine February 2007
Contents include: Artists find "a public space for experimentation" at Site Gallery and David Sherry makes Raymond Watson laugh. Ben Kelly wins the Football Art Prize and Paul Lewthwaite recalls a residency in a former sardine factory in Norway. Middlesbrough’s […]
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Playing up
Focusing on public art, a-n Editor Gillian Nicol has selected key texts from a-n’s archive and other important sources. Her introductory essay explores the nature of collaborative and creative processes involved in making artwork in the public realm. It identifies […]
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Community arts project funding
I have recently taken the decision to stop working on community projects and to concentrate on my own practice.
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Training options reduced
The untimely death in November of Deborah Rawson, ETA founder and director, has precipitated changes at this well-respected South East England-based artists’ development organisation, including staff redundancies.
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Major commissions announced
Filmmaker Clio Barnard and sculptor Roger Hiorns are winners of the new Jerwood/Artangel Commissions worth £1million, promoted last year through a-n.
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Pockets of disorder: The history of adventure play
Adventure playgrounds, or junk playgrounds, as they were known, began life as occupied building sites, wastelands and bombsites that had been colonised by city children looking for interesting and adaptable spaces in which they could play in relative privacy away from adults.
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Stimulating the senses in the public realm
One of the main tendencies in public space has been to minimise risk – providing mini-cities in which risk has been all but removed.
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Editorial – 2007 February
With inflation about to hit a ten-year high1, to what extent can the practices of artists nowadays resist the pressures of the real world?
