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Save our studios
The Secretary of State called a Public Inquiry on 17/18th October at Hackney Town Hall to determine the future of Richmond House, Richmond Road.
Archive - Page 54 of 114 - a-n The Artists Information Company
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Saved for the nation
A seven-year campaign led by Littoral’s Ian Hunter and Celia Larner has saved Kurt Schwitters’ Merzbarn, in Elterwater Village, Cumbria for the nation.
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Spotlight on volunteering
Volunteer opportunities are the norm across the visual arts, often perceived as the only route for newcomers to the profession to gain the CV experience that will get them noticed and their foot on the career ladder.
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Wales – Venice artists selected
Richard Deacon, Merlin James and Heather & Ivan Morison have been selected to represent Wales at the 52nd Venice Biennale in 2007.
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Makers in focus
An exploration of professional development support needs for makers in the West Midlands has identified that as makers’ working patterns are characterised as “multi-tasking portfolio workers”.
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On a-n
“The UK’s leading information and advocacy organisation for artists and their collaborators”, a-n, a newsletter and ‘artists information company’, has become so grossly over laden with the argot of management consultancy.
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Alghiero Boetti (after, Portrait by Paolo Mussat Sartor)
Images by Vancouver-based artist Kathy Slade.
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A new space of operation
I’ve been working in and around transdisciplinary practice for the last twenty years now, and have found it to be a fertile and stimulating ground both for those working consistently within it or just passing through, I’ve just noticed that only recently has it started to become fashionable.
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Back and forth
With a background in architectural design, followed by research in architectural history, and then a period teaching public art and writing art criticism, my research has tended to focus on transdisciplinary meeting points – between feminist theory and architectural history, conceptual art practice and architectural design, art criticism and autobiographical writing – through individual and collaborative research projects.1
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We are all friends now: Hybrid practices and Georg Simmel’s modes of interaction
“Life flows forth out of the door from the limitation of isolated separate existence into the limitlessness of all possible directions”. Georg Simmel, ‘Bridge and Door’
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Blood ‘n’ guts
Andrew Dodds contribution to The dream that kicks, a-n Collections.
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Afterword: There is nothing like a dream to create the future
As you will have by now no doubt ascertained, The dream that kicks: Transdisciplinary practice in action is a curious collection of works, which at once demonstrates and queries its subject.
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The dream that kicks
Maria Fusco’s innovative publication explores, through action and exchange amongst the writers, the notions and tensions within transdisciplinary practice. With contributions from Clare Cumberlidge, Craig Martin, Jane Rendell, Kathy Slade and Andrew Dodds. From the a-n Collections series. pdf [size: […]
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a-n Magazine October 2006
Contents include: AIR membership scheme launched and Artists’ advisory group introduced. Charlotte Hodes wins Jerwood Drawing Prize. Edinburgh’s Annuale III reviewed plus shows in Isle of Mull, Vale of Glamorgan, Leigh and a radio broadcast. Catherine Wilson on her experiences […]
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Jerwood
The winners of the Jerwood Drawing Prize 2006 have been announced.
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Fees and payments
As a former teacher now working for the past five years as a gallery educator and also a freelance artist I have been interested to follow the a-n proposals on artists’ fees.
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Editorial – 2006 October
This month sees the launch of AIR – Artists’ Interaction and Representation.
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Frieze fever
Frieze Art Fair is upon us once again, and as well as 150 art galleries from around the world showcasing over 1000 artists’ work, visitors can take advantage of an ambitious curatorial programme, under the umbrella term of Frieze Projects.
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Good exhibition practice
Informed by the Code of practice, contains guidance on how artists and exhibition venues can achieve good practice in their working arrangements.
A text only version of this publication can be found at www.a-n.co.uk/fees_and_payments
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Good practice in paying artists
Aimed at public sector arts employers, commissioners, consultants and arts trainers, addresses the context for fees and payments for artists’ residencies, workshops and community commissions. Download pdf [Size 497KB]
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Establishing a Charge Rate for a Working Artist
Financial expert Richard Murphy’s practical framework to demonstrate how visual artists can take responsibility for their working arrangements and establish, and make a case for, their charges and fees. Download pdf [Size 234KB].
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Inspired Fair
Now in its fourth year, Inspired Art Fair aims to show the best in contemporary art from emerging independent artists.
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New age legislation
The unfairness of age restrictions on art competitions and opportunities for artists has been aired in the pages of a-n Magazine over many years.
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Senegal story
I met Boubacar Keita and visual and performance collective, Art & Action on a visit to Dakar, Senegal last year.
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Shares priced
V22 plc has been accepted to deal on PLUS Markets (Ofex), enabling the start in September of the first ever publicly traded shares in a contemporary art collection.
