Arts losses
Organisations around the UK facing cuts or closure.
Organisations around the UK facing cuts or closure.
Led by curator Vicki Lewis and artist Katherine Clarke (muf), the We Are Artists, How Can We Help? action research project questions the presence of artists as a model in regeneration. What does the artist gain? Is there a benefit swap between the artist constituency and their neighbours?
New ways are needed to measure the types of value being delivered by small visual arts organisations, according to a new report looking at the role and value of the small-scale visual arts sector within the wider arts ecology.
Artists and supporters of art are being rallied to support final implementation of an important Right for artists, their families and beneficiaries.
News of successes from the ceramics and glass community.
With a-n + AIR’s recent Big Artists Survey revealing that a third of both mid-career and established artists expect their incomes to go down this year when compared to a year ago, Artquest’s new development will strike a chord with many artists as they navigate the increasingly harsh economic environment for their practice in the months ahead.
Where in Art Education does the education take place? Artist and educator Mitra Memarzia reports.
Artist, writer and ‘time traveller’, Alistair Gentry, responds to Lee Cavaliere’s Visions of the future.
What will the future arts environment look like? In the second manifesto artist, writer, photographer and empty shops coordinator Dan Thompson responds to Visions of the Future with his thoughts on the future of the arts.
What will the future arts environment look like? Artist / curator / gallery manager Lee Cavaliere offers his visions for the future – we invite your own manifestos in response.
Aimed at improving the mobility of artists into the UK, published recommendations add support to the campaign for changes to the points-based visa system for visiting artists.
Contents include: Steve Dutton and Katriona Beales report from the Culture cuts conference in London; WeDidThis founder Ed Whiting discusses opportunities that crowd-funding provides for arts organisations and artists; in Debate Dany Louise asks What do festivals add to a […]
Phoebe Cummings, Flora, detail from the floor of the residency studio, Victoria & Albert Museum, unfired clay, 2010. Photo: Sylvain Deleu
A look at current projects and commissions taking place in unconventional settings.
Approached by Modern Art Oxford to deliver art sessions at a Sure Start children’s centre in the Rose Hill area of Oxford, artist Jon Lockhart began a four-year residency at the centre as part of MAO’s ambitious Paul Hamlyn Foundation funded offsite programme.
In 2009 and selected by regional groups, twelve arts commissions worth £5.4 million were awarded for the London 2012 Cultural Olympiad. Emily Speed takes a look at how some of the Artists Taking the Lead projects are progressing around the halfway point between commission announcements and their presentation.
Comings and goings amongst arts professionals and curators, designed to aid networking and collaboration.
Following successful integration into the 2010 London Design Festival, Origin, the Craft Council’s Contemporary Craft Fair, will be at Old Spitalfields Market 22-28 September in a purpose-built pavilion, presenting over 200 makers with work to sell.
This month’s bites.
What do festivals add to a city?
Artists and arts organisations had the opportunity to debate current and future professional development needs and aspirations in June as part of strategic planning by Turning Point West Midlands.
Charlotte Frost has been researching and writing on digital and new media arts for over ten years. Here, she introduces her next projects as the last in her regular ‘Digital practices’ column for a-n Magazine.
Report from the recent conference held in London.
A new report reveals that a disproportionate number of artists’ membership and development agencies and practice-based organisations lost core funding, despite ACE’s aim of creating a “balanced portfolio”.
The photographs of Sirkka-Liisa Konttinen and Amber’s films have been inscribed in the UNESCO UK Memory of the World Register as an archive of national cultural significance.