Jane Adam
Jane Adam is a successful jewellery designer with an international reputation. Polly Harknett discusses her career and studio at Cockpit Arts and her wider role in the craft community.
Jane Adam is a successful jewellery designer with an international reputation. Polly Harknett discusses her career and studio at Cockpit Arts and her wider role in the craft community.
Frances Lord profiles Ismini Samanidou who designs woven fabrics for interior spaces, ranging from one-off pieces to limited edition textiles.
Penny Jones talks to Deirdre Nelson about her textile-based work, often made in response to museum collections or site histories and informed by local communities, and residencies in the Scottish Highlands and Australia.
Cynthia Cousens explores the practice of weave-designer Eleanor Pritchard, discussing exhibitions, commissions and Crafts Council support.
Polly Harknett on the practice of emerging jeweller Lina Peterson, including creative/work balance and exploration of markets for her work.
Frances Lord profiles Linda Florence, who creates wallpapers, flooring surfaces and interior textiles for domestic and commercial interiors, as well as temporary installations in transient materials.
Penny Jones profiles Clare Twomey, who makes large-scale ceramic installations for galleries and museums often in collaboration with the UK ceramics industry.
Peter Freeman makes light sculptures and installations that articulate public spaces. Kate Stoddart explores his practice.
Cynthia Cousens profiles Anne Brodie, who uses film, photography and glass, discussing her career development and fellowship to Antarctica in 2006/7.
Kate Stoddart profiles Andrea Walsh, discussing the development of her practice in ceramics and glass, work/life balance and the outcomes of a residency at Cove Park.
Manick Govinda talks to Lynette Yiadom-Boakye about her practice and the impact of awards from deciBel and The Arts Foundation.
Anji Archer, who featured in a-ns Degree show supplement 98 publication, reflects on her life and the part art has played in it over the past ten years.
Hannah Pham, a graduate who featured in a-ns Degree show supplement 98 publication talks about coming full circle over the past decade and spending time in Japan.
Helen Knowles, who featured in a-n’s Degree show supplement 98 publication, reviews her progress over the past decade and discusses her current practice.
Dana Hargrove, a graduate who featured in a-ns Degree show supplement 98 publication, discusses her current practice including a recent residency in South Africa.
The Somafree Institute of Psychoplasmics first appeared in David Cronenbergs 1979 film The Brood, yet despite once suggesting that if he failed as a filmmaker he could always set up a real life Institute, its 21st Century emergence is not his own doing.
Charlotte Frost on some of the production activities of the Newcastle- and London-based Forma, drawing out different strands of its programme including curation, representation, initiation, distribution and public art.
Charlotte Frost on the various support systems run by Artsadmin, including information about its head of operations: Toynbee Studios, and examples of several projects it has produced with the likes of: Graeme Miller, Station House Opera and Gary Stevens.
An introduction by Charlotte Frost to the different projects Electra has instigated utilising its own brand of crosscontextualisation to co-opt audiences from existing genres.
Charlotte Frost delves into the on and offline world of Furtherfield.org, where web surfers are encouraged and enabled to become co-producers in art making/situating via platforms such as VisitorsStudio and projects like DIWO (Do It With Others).
Manick Govindas profile of Paul Hamlyn Foundation, one of the most respected and innovative grant-giving trusts in the UK
Nina Madden explores the myriad of awards offered by the Jerwood Charitable Foundation.
Information on the Cecil Collins Memorial Award for students.
Lucinda Holmes talks to artist Susan Collis about her practice and her work in the exhibition Out of the Ordinary: Spectacular Craft at the Victoria and Albert Museum.
Sally Lai is currently a Clore Leadership Programme fellow and holds an MA in Curating from Goldsmiths College, University of London. Based in Manchester, the wide range of exhibitions and projects she has been involved with reflect her special interest […]