Venue
Kings Place Gallery
Location

In her lifetime, writer Ruth Borchard commissioned 101 self-portraits from artists, many of which are now shown with 30 newer works. The linking factor makes this exhibition not just about painting or self-portraiture – it also raises thoughts about curatorial choices in presenting themed work and creating collections.

Limiting the parameters of varied work links it in particular ways, in this case, its provenance. Most of the paintings were made especially for Bochard, who paid the same fee, 21 guineas, to each artist, some of whom were up and coming, some established, and some who have faded from public consciousness. Artists give an element of truth and concentration especially to the self-portrait, and often it is a candid revelation.

It’s also a fascinating walk through art and styles of several decades, and I found myself seeing if I could guess what year each was painted in before reading the sign. It’s always a mystery to me how there is a shared mind in styles and palette despite artists often innovating and painting beyond their time. I found some of the more contemporary paintings more difficult to date, but suspect than in 20 or 30 years it may be easier to look back and recognise them as early 21st century.

An annual competition adds to the legacy. There are some stunning paintings in this collection, and overall a moving sense of genuine and considered moments from artists here and departed.


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