On the cover – 2008 June
Sarah Craske & Stacy Keeler, The Womens Land Army, found materials, plant and performance. Commissioned by Margate Rocks 08.
Sarah Craske & Stacy Keeler, The Womens Land Army, found materials, plant and performance. Commissioned by Margate Rocks 08.
Students from universities and art colleges across the UK will be travelling to the capital to showcase their work over the summer.
In the second part of our focus on open studio events we profile four organisations providing space as well as the opportunity to exhibit and sell.
Various venues, Manchester
5 April 1 June
Charles Danby reviews the work of Chloë Steele and considers the role of artist-curator duo Day and Gluckman whose notable track record continues throughout 2008-09 with a programme of five exhibitions for the law firm Collyer Bristow LLP.
The largest UK annual event of its kind, Hereford Photography Festival celebrates its 18th year in 2008.
Round-up of support to artists policies in Canada, England and Australia.
Eighty-one artists have been selected from 235 applicants for the 2008 Glass Biennale exhibition.
Berlin plays host to two events that utilise openness as a means of operation; naturally resulting in two distinctly different outcomes.
Seven Midlands-based producers and curators have taken part in an innovative programme, Momentum, to develop their ideas and support them in making art.
The first week in June will see around 60,000 artists, collectors, gallerists, curators, and art enthusiasts from across the globe flock to the Swiss town of Basel for the 39th edition of Art Basel.
This month’s new appointments.
Leeds Met Gallery, Leeds
18 April 17 May
Various venues, Swansea.
In early April 2008, fifteen artists from around the UK took part in a research visit to Lille, France, entitled ‘The Artist as Social Entrepreneur’.
Contents include: Artists respond to call for commission proposal fees, open studio events previewed, digital art and new media artforms reviewed. New Collaborative relationships series on artists and collaborators this issue curators give insights into their practice. Work by […]
Michael Brennand-Wood, Flower Head Narcissistic Butterfly, 60x60x40cm, 2005.
Open studio events are an insight into how artists make work, giving a very different perspective from seeing finished works in a gallery setting or a commissioned piece in a public space. Here we take a look at some of the studios opening their doors over the next few months.
Our guide to all the best degree shows, 2008 Degrees with this issue, features practice updates from last years student bloggers1 revealing learning curves, perseverance and collaborative ventures.
To preface a new ongoing series exploring relationships between artists and their collaborators, we asked some of today’s most interesting curators for insights into their practices.
Joan Thompson on mental health services and further education.
I am currently undertaking a research project called Situating everyday creativity in Liverpool 2008.
I am writing to lend support to the ideas expressed in the letter How do other artists feel about unpaid public art competitions? (a-n Magazine, April).
I would like to add these comments to the discussion on unpaid public art competitions (a-n Magazine, April).
If youre a small-scale voluntary organisation with an income of under £10,000 a year, you entitled to get free information from the National Council for Voluntary Organisations (NCVO).