Good practice a two way process?
I read with interest your latest Good Practice publication, Negotiating your practice.
I read with interest your latest Good Practice publication, Negotiating your practice.
I am writing about the article in Octobers a-n Magazine reviewing The Edinburgh Annuale, Annuale III by Guyan Porter.
Avigail Ochert is correct in her observation that for the purposes of considering salaries artists pay scales should not be compared or equated with teachers’’.
Various venues, Lancaster and folly.co.uk
29 September 21 October
Various locations, Cumbria
30 September 15 October
Golden Thread Gallery, Belfast
16 September 19 October
Oriel Davies, Newtown
10 October 18 November
Contents include: Littoral helps save Schwitters’ Merzbarn for the nation, Michael Cousin introduces International residencies focus and Steve Dutton examines curatorial internationalism. ‘No place like home’ at Beacon and the damage caused by media controversy – while a new site-specific […]
If you are an international subscriber to a-n you could help us keep up to date with International contacts in your country. Email your details (including your country of residence) to [email protected] putting Organisations Beyond the UK in the subject […]
Thanks to lottery funds through the Scottish Arts Council, the first artists residencies for Scotlands celebration of Highland culture in 2007 were awarded in October.
Situation Leeds, the contemporary visual artists and the public realm festival launched in 2006, is to run again this year.
This month’s Opportunities focus on international residencies, will sit permanently on www.a-n.co.uk1 as a signpost to regular international residencies that have regular deadlines. Artist Michael Cousin2 has researched this focus alongside his busy practice as an artist, and offers some […]
Ivan Smith comments.
John Plowman and Nicola Streeten comment.
Residencies of any kind are a large undertaking for an artist to commit to both financially and emotionally. The time spent experimenting and finding a fresh perspective or continuing a train of thought uninterrupted must be weighed against the monetary […]
The Biennial age is the age of the illusion of free flowing global movement of thought and capital, when the success of an artist could be measured in airmiles.
The Crafts Council launched a major new selling event for contemporary craft in October.
October saw the formal opening of Elements, the transformed garden and corridor areas at Park House, North Manchester General Hospital. Under the leadership of artists Stella Corrall and Adam Reynolds, service users and staff at Park House have been brought […]
Two major themes emerged during a recent Littoral conference, and both of them had to do with community self-reliance.
In October, after a six-month review period, Arts Council England issued news of the new structure that is designed to create a more focused, streamlined and effective organisation that is better able to provide national leadership and planning, build new partnerships and make a stronger case for the art.
Evaluation of Scottish Arts Council’s interest free loan scheme Own Art has revealed that Scotland’s contemporary arts market is thriving.
The Secretary of State called a Public Inquiry on 17/18th October at Hackney Town Hall to determine the future of Richmond House, Richmond Road.
A seven-year campaign led by Littorals Ian Hunter and Celia Larner has saved Kurt Schwitters Merzbarn, in Elterwater Village, Cumbria for the nation.
Volunteer opportunities are the norm across the visual arts, often perceived as the only route for newcomers to the profession to gain the CV experience that will get them noticed and their foot on the career ladder.
Richard Deacon, Merlin James and Heather & Ivan Morison have been selected to represent Wales at the 52nd Venice Biennale in 2007.