Sharon Haward
In June 2004 I was shown around an empty flat in Farley Bank, Hastings, with a view to taking it on as an experimental space.
In June 2004 I was shown around an empty flat in Farley Bank, Hastings, with a view to taking it on as an experimental space.
Contents include: David Clarke and Simone ten Hompel on friendship and competition in the studio. Southwell Artspace launched while Lisa Scantlebury makes Station disappear. Craft news from London and Wales. Getting to know the unknown sitter – and the benefits […]
Contents include: Layla Curtis travels to the ends of the earth. Ali Beddoes enjoys artist-curated show in Birmingham and Nicolas Deshayes reviewed at Nottingham’s Moot Gallery. Extracts from Curated space online think-tank plus Paul Hamlyn grant winners announced and news […]
Notions of sharing knowledge and experiences both good and bad are inherent within those who seek continuous improvement and development in their artistic practices.
Dr Malcolm Miles, Reader in Cultural Theory at University of Plymouth comments.
Social Work: Four Live Projects is an exhibition of work by four Manchester-based artist duos at the citys Cornerhouse centre for contemporary visual arts and film until 16 April.
The ACE letter [Comment, a-n Magazine January] is a typical response that we have had reoccurringly for the past two years!! The only difference is the issue has always been swept under the carpet and kept hush hush in Nottingham […]
It is vital to widen participation and support social inclusion towards visual literacy must be easy for Susan Jones to write [Editorial, a-n Magazine January]. Hindsight often clarifies the morass between us and them, but try looking from my side. […]
Arts Council Englands 2005 annual review shows a mixed picture of efficiency savings countered by increases in costs elsewhere.
The announcement by Northern Irelands Review of Public Administration (RPA) last November avoided offering specific proposals for cultural funding but suggested that responsibility for the arts will ultimately be handed over to local authorities.
In response to Polly Veritys article New Contexts in the December issue of a-n Magazine, I would like to highlight an exciting new development currently underway in Edinburgh. In 2005, Edinburgh Sculpture Workshop received major funding from the Scottish Arts […]
Elaine Speight considers how issues raised by the Import/Export event held in Newcastle upon Tyne in December 2005 might apply to artists and networks in provincial locations.
It has been a phenomenal time for us.
Artsway, Hampshire
3 December 19 February
Including the latest on the Crafts Council, the transformation of Ruthin Craft Centre and Ceramic Art London.
Ffotogallery, Penarth
26 November 8 January
Russell-Cotes Art Gallery and Museum, Bournemouth
22 October 26 February
Measures to give artists a share of the proceeds from the resale of their work became law in January.
Glasshouses, a touring gallery project around Staffordshire, profiles the work of local artists and creative businesses.
Space Station Sixty-Five, London
3 December 27 January
The association between The Design Trust (TDT) and London Metropolitan University, originally announced a year ago, has been taken a stage further with the announcement that TDTs activities are to be carried on by the Creative Industries Unit within the universitys Sir John Cass Department of Art, Media and Design.
A rundown shop in Southwell, Nottinghamshire has been transformed into artists studios, workspaces and a gallery as a result of a grant of more than £100,000 from Arts Council England, East Midlands.
Station, Bristol
6 November 17 January
A new website aims to present an anthology of approaches to such unidentified portraits.
Extracts from the Curated space online think-tank presentations and discussions.