Artist-in-residence @peripheralforms
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Archive
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Venue:
Peripheral Forms -
From:
February 01, 2018 -
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February 28, 2018 -
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In 2017 I completed my PhD which considered the commemoration of Duncan Edwards England & MU footballer who died as a result of injuries he sustained in the 1958 Munich Air Disaster. Will my academic research influence me as an artist now it’s completed?
In December I submitted the final drafts to the first two modules on the MA. I navigated and battled my way through feminist artists in history and women who have presented work relating to the relationships they hold with their […]
Aida can be very unforgiving if you make a mistake while sewing. Where the needle passes through the fabric it enlarges the hole, and if the sewing is then unpicked, it leaves behind a trace of where it once was. […]
Endless Horizons & Ever-changing Skies: An Exploration of the Colour & Forms of the British Landscape
Rising to the Challenge One of the hardest parts of any new period of study, research or creative practice is moving on from older work and managing to keep the creativity flowing. I’ve found this challenging and probably even more […]
Last Saturday I visited the venue for my next Perfume as Practice solo exhibition – Bureau Gallery in Blackburn. As with any space, Bureau Blackburn comes with its own set of quirks, nuances and challenges. Chiefly, the space is a […]
Home is now — Monday 22nd January 2018 Mile End – Regent’s Canal – chalk marker pen on glass
On following a suggested link, from a comment on my last blog on studio space, I have discovered an artist who has some similarities with my own practice. A slight obsession with the subject of water. He seems to be […]
It is becoming clear that April is going to be a rather busy month. It will see me host 3 perfume making workshops, an artist’s talk and, predominantly, my first Perfume as Practice solo show of the year – Perfume […]
This post is a reflection on the challenges of developing my theoretical position and how this underpins my practice and work. As my research is practice-based, theoretical writing is optional but is something that I am interested in. However it […]
Sitting down at my first Thrash Out debate, I felt like a fraud. Hardly a public speaker and never one to comment on something without authority or thorough research it seemed unclear what I could contribute. I’d become somewhat passive […]
I find myself in a rather unusual yet advantageous position of having all of my fragrance based endeavours for the next 12 months secured. The only anomaly to this is ‘Scents of our Time’ – which I’d like to trial […]
I am half way through my PhD first year in the music department at the University of Aberdeen. Over this time I have focused on my thesis topic, re-focused on my thesis topic and changed my topic! I have started […]
This blog will document the development of my practice and my PhD thesis Traces and What’s Left: Constructing a Communicative Form as an Art Practice as research in the Music Department at the University of Aberdeen.
Moving away from research and returning myself to everyday life and my own artistic practice as an artist to focus on my own senses. Blog post (5 of 8) March, 2018 | liechen.com/silentopera
A place to write down ideas, thoughts and to show the developments of my studio practice.
Well that was the year that was 2017. A fantastic fragrant adventure, all told, but to be honest the business of securing exhibitions, holding workshops and sourcing opportunities mean that the years sort of blur into one; a fair chunk […]
When I started this blog I vowed never to miss a Monday. So, in an attempt to stay true to my word I’ll just use this opportunity to wish everyone a happy Christmas. I hope you all got all the […]
Peripheral Forms Indiegogo campaign and events throughout 2018.
2017 has seen me conduct no less than 12 perfume making workshops around the UK. And, as the last one of the year concluded on Saturday I thought it an appropriate time to document and appraise what I’ve learnt about […]
‘Fire and Ice’, on show at the UK’s award-winning art space for art + environment, explores nature, light and power, raising questions about energy use, over-use and climate change.