Based in a former school in Nottingham, Primary supports artistic production through its studio provision, residencies and a public programme. This profile includes two videos, recorded at Assembly Salford, where director Niki Russell introduces the organisation and shares its lengthy journey to securing a space.
S1 Artspace in Sheffield is a member-led studio provider and exhibition space, running since 1995. This profile includes a video, recorded at Assembly Salford, of S1’s Stephen Escritt outlining the organisation’s plans for a major expansion at the Grade II* listed brutalist Park Hill estate.
Initiated in 2010 by two fine art graduates, The NewBridge Project in Newcastle upon Tyne provides studios, a gallery, project spaces and a member-led professional development programme. This profile includes two videos, recorded at Assembly Salford, of former director Charlotte Gregory introducing the organisation and discussing how during a period of expansion the project has stayed loyal to its member-led ethos
Founded in 1972, Acme Studios has grown to provide around 600 studios for London-based artists. This profile includes two videos, recorded at Assembly Salford, featuring Acme’s Head of Projects & Communications Jack Fortescue introducing the organisation and outlining its unwavering commitment to securing long-term, affordable artist studios.
Hosted by Eastside Projects in Birmingham, over two days the recent Artist Run Multiverse Summit brought together artists from a wide range of projects and organisations to consider the past, present and future of the artist-run sphere. Lydia Ashman reports.
For the final Assembly event in the current series, a-n was in Cardiff for a day of discussion and debate around how to survive as a creative practitioner. Trevor H. Smith reports.
This week’s selection from a-n’s busy Events section, featuring exhibitions and events posted by a-n members, includes selections from London, Berwick-upon-Tweed, Rotherfield in East Sussex, Hexham and Plymouth.
For the latest in our ongoing series looking at the visual arts across the UK, Cardiff-based artist Freya Dooley provides a tour of her home city’s lively and supportive scene.
The latest in a-n’s series of artist-organised events explored the challenges and advantages of physical outposts for a sustained artist-led practice. Robyn Woolston, herself based in the rural outpost of the Cairngorms National Park, reports.
For her show at Glasgow’s Transmission gallery, Scottish artist Rabiya Choudhry presents selected works from a six-year period including paintings, printed fabrics and a neon window sign in tribute to her dad. Jessica Ramm asks where her vibrant but troubled paintings come from and what it means to fly solo at this important artist-run space.
A senior project manager and a PhD researcher will join the team at Patrick Studios in Leeds to deliver the four-year Guild partnership programme, with two more roles currently being advertised.
This week’s selection of recommended shows includes: The Hayward Gallery’s new touring drawing exhibition at St Albans Museum and Gallery; magic, ritual and witchcraft at the Ashmolean Museum, Oxford; and the inaugural exhibition at S1 Artspace’s new gallery space at Sheffield’s Park Hill estate.
Blackpool is one of the most deprived areas in the UK, so what challenges does that bring for the gallery’s new curator, formerly co-director of Manchester’s The International 3 gallery and Manchester Contemporary art fair? Laura Robertson visits the seaside town to find out.
Rebecca Huggan takes on her new role during a period of change, with the Newcastle-based arts organisation seeking to secure a new permanent base for its artists’ studios and exhibition programme.
To mark the end of her time as the 2017-18 Clore Visual Artist Fellow, an initiative supported by a-n, Nicola Naismith presents an A-Z of what the year-long experience has taught her about leadership and being an independent artist.
At the recent Jamboree 2018 event on the Dartington Estate in Devon, the London-based German artist Rosalie Schweiker presented an improvised slide show about the difference between being a conventional ‘sausage’ artist and a hard to pigeonhole ‘mince’ artist. Here she turns that talk into a short explanation of her thinking – with added drawings of sausages, mince, and mince-based products.
Dear all, three members of a-n network are an art exhibition that ends on Wednesday, 11th July (poster attached). We were wondering if someone would be interested in writing us a review after visiting the exhibition? Please drop me a […]
Image credit: Kat Hall, a Plymouth College of Art observer intern A very early start to day three of Jamboree – up and dressed for a 430am walk and talk session led by Bram Arnold: ‘From Civil Twilight To […]
Taking place on the idyllic Dartington Estate in Devon the a-n-supported Jamboree 2018 brought together 150 artists, curators and programmers from across the UK for lively discussion and the exchange of ideas. Hannah Pierce, a-n’s external programmes and partnerships manager, shares the key things she learnt from the event’s four days.
A hot four days of artist-led activity, camping, and swimming in the river Dart, Jamboree 2018 proved to be a successful pulling together of artists’ projects, giving room for discussion, creativity and knowledge sharing – some of which is featured on the a-n Instagram courtesy of Beth Emily Richards’ takeover.
Image credit: Jamboree observer and PCA student Kat Hall My second day of Jamboree began with an early morning yoga session with artist and yoga teacher Carly Sellers. Great to stretch after the inevitable slow deflation of the camp […]
Image credit: Andy Ford Over a year in planning and development, Jamboree is finally here – and we are so excited to welcome 150 artists and curators to sunny Dartington! I’ll be reporting on site each day, and full reports […]
The second event in a-n’s Assembly series was hosted by Eastside Projects in Birmingham and aimed to address the increasing amount of development taking place across the city region and the opportunities this might offer for artists. Confirmed conference sceptic and Birmingham-based artist Pete Ashton reports.
