Arts Funding - Page 10 of 18 - a-n The Artists Information Company

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Art and the election: MPs and artists debate at AUE hustings

Whilst the three main parties were keen to stress a need to redistribute arts funding more evenly around the UK, there was little in the way of concrete pledges at Wednesday evening’s Artists’ Union England Hustings debate in London, addressing issues that directly concern artists in the lead up to the general election. Stephen Palmer reports.

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Stour Valley Arts to close

The Kent-based organisation that has championed art in the environment for over two decades has announced it is to cease trading.

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2014 – How was it for you? #8: Elena Thomas

As our end-of-year series continues, the Birmingham-based artist and active a-n blogger describes a time that has seen her quit a longstanding job, grow in confidence as an artist and secure funding for her year-long project, Nine Women.

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Tate members challenge BP sponsorship at AGM

As part of an action by Liberate Tate, Jon Snow, chair of Tate’s Members Council has been presented with an edition of Conrad Atkinson’s The Oil Ship for display in one of the Tate members’ rooms.

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Collection

Rural arts and policy

Selected texts, discussions, guides and profiles that address issues around or profile arts taking place in rural contexts.

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Collection

Art market

Selected resources on artists, the art market and the arts ecology.

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Paul Hamlyn Awards for Artists: 20 years of support in tough times

Founded in 1994, the Paul Hamlyn Foundation Awards for Artists programme has helped some of the UK’s best-known visual artists with no-strings-attached financial support at crucial points in their careers. On the eve of the announcement of this year’s awards, Chris Sharratt talks to the foundation’s head of arts and to 2012 recipient Ed Atkins.

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Who pays artists: art, value and the importance of a shared ethos

The issue of artists’ pay and exploitation in the US is prompting a variety of responses that question what it means to be an artist in the current economic climate. Abigail Satinsky, associate director at Chicago’s Threewalls gallery, surveys the landscape and asks whether we need to look at how we value and define art and artists.

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