a-n Artists Bursaries 2021: Time Space Money
As part of our commitment to supporting artists, we are offering bursaries of between £500 to £1,500 for continued professional practice.
As part of our commitment to supporting artists, we are offering bursaries of between £500 to £1,500 for continued professional practice.
Jerwood Arts is seeking host organisations for the Weston Jerwood Creative Bursaries 2020-2022, its programme which supports those from socio-economic backgrounds who are currently under-represented across the arts to develop and thrive through paid fellowships with arts or cultural organisations.
The Weston Jerwood Creative Bursaries programme has announced its first round of placements, with the visual arts represented by The Common Guild in Glasgow and Eastside Projects in Birmingham. Richard Taylor reports.
The Edinburgh-based artist talks about how 12 months of residencies in Edinburgh, Aberdeen and Abroath have led to a solo exhibition at Glasgow School of Art which uses film, audio and performance to explore the limits of her body as a material.
Artist-led festival Hackney WickED has announced the successful artists in its inaugural Arts Council England-funded commissions and bursaries scheme.
Artist Parents Talking (APT) supported by a-n and a NAN Go and See research bursary, has successfully bid for £7,147 from Arts Council England’s Grants for the Arts.
Following the successes of the Go and See Bursaries offered since 2004, NAN is piloting Futurific! – three new awards up to £800 designed especially to support the sustainability and resilience of artists’ groups and networks in the UK.
In March 2010, Leeds based artists collective Black Dogs was granted a NAN Go and See bursary to establish a network with artists from Nottingham, Liverpool, Birmingham, Edinburgh and London for research and development. Emilia Telese talks to Yvonne Carmichael of Black Dogs about the bursary and its impact on the group.
In June 2010, Darlington-based photography collective Wideyed was granted a NAN Go and See bursary to travel to Belgrade for research and development. Emilia Telese talks to Lucy Carolan of Wideyed about the bursary and its impact on the group.
In March 2010, Artichoke Studios was awarded a NAN Go and See bursary in order to visit Dynamic Community Arts in Birmingham and Green Close Studios in Melling. Emilia Telese talks to group member Keith Parkinson about the bursary and its impact on the group.
In September 2009, Grey Area was granted a NAN Go and See bursary to travel to Estonia for research and development. Emilia Telese talks to Daniel Pryde-Jarman of Grey Area about the bursary and its impact on the group.
Artists are in effect micro-enterprises that hold long-term objectives for their practice that bear little or no relationship to arts and governmental policy time-frames and achievement measurements.
Case studies and commentary by Lauren Healey on this imaginative scheme for artist-led professional development. [PDF format, 74kb. Requires PDF reader. ]
In December 2007, Videoclub was granted a NAN Go and See bursary to travel to Hamburg for research and development. Artists’ Networks Coordinator Emilia Telese talks to Jamie Wyld about the bursary and its impact on the group: ET: Jamie, […]
In December 2008, Club Shepway was granted a NAN Go and See bursary to travel to France for research and development. Emilia Telese talks to the group about the bursary and its impact.
In March 2008, Claremont Studios was granted a NAN Go and See bursary to travel to visit a number of like-minded artist-led initiatives in the UK for research and development. Emilia Telese talks to the group about the bursary and its impact.
In September 2009, the Lincoln Art Programme was granted a NAN Go and See bursary to travel to Bristol for research and development. Emilia Telese talks to Alan Armstrong about the bursary and its impact on his group.
In 2007 Noemi Lakmaier and Joy Stanley were granted a NAN New Collaboration bursary to fund research and development for Final Intervention, a project responding to the lack of opportunities for early-career installation artists to make and show new work. It aimed to organise collaborative projects/exhibitions within buildings about to be pulled down. Emilia Telese talks to the artists about the bursary and its impact.
Ramsgate-based artist-led initiative Meltdowns was awarded a NAN Go and See bursary in February 2008 to visit the Scottish Sculpture Workshop in Aberdeen for research and development. Emilia Telese talks to Stacy Keeler of Meltdowns about their experience.
In June 2009, London-based artists’ initiative Intoart was granted a NAN Go and See bursary to travel to Glasgow and visit like-minded arts organisation Project Ability. Emilia Telese talks to Ella Ritchie of Intoart about the bursary and its impact on the group.
In June 2009, a.a.s. was granted a NAN Go and See bursary to travel to Glasgow for research and development. Artists’ Networks Coordinator Emilia Telese talks to Stuart Tait of a.a.s. about the bursary and its impact on the group.
In June 2009, Matt Roberts Arts was granted a NAN Go and See bursary to travel to Sweden and Denmark for research and development. Emilia Telese talks to Matt Roberts of Matt Roberts Arts about the bursary and its impact on the organisation.
In December 2008, Basement Art Project was granted a NAN Go and See bursary to travel to the Netherlands for research and development. Emilia Telese talks to Yu-Chen Wang of Basement Art Project about the bursary and its impact on the group.
North West England based artist-led publishing initiative Pest was awarded a NAN Go and See bursary in March 2009 to visit artists’ groups in Hungary for research and development. In this NAN report, Emilia Telese talks to Pest about their experience.