My practice has recently found its way towards exploring the relationship between human and the artificial…again. I recently watched a video of Russell Brand banging on about Klaus Schwab. In a short youtube video, MR Schwab appeared to be advacating […]
“Looking through the eyes of the artist to see life. ” “Expanding the possibilities.” “I want to spend more work (time) on things.” “Becoming is an event, movement is passing in time and space. Becoming is not movement.” “Relationships” “Désoeuvrement” […]
Whilst making work I have been thinking about the idea of spaces between things. For example, cracks in old photographs/paintings/postcards/folds in paper. I have been thinking about destruction vs preservation, and deterioration as a result of time passing and traces […]
It is not often I am so hurt and outraged by someone or something that I feel compelled to write about it, talk about it or even mention it. I would normally just brush it off or go sulk in […]
Annie Carpenter, Defying Entropy Attempt #1, sculpture, 2011.
Devised by Grizedale Arts, ‘Romantic Detachment’ features artists from the UK and the USA. Brian Dewan’s text forms part of his performance/installation for the exhibition.
Louise Clements and Jonathan Willett describe Spectrum 2002, a light-infused programme of exhibitions and outreach work at Nottingham’s artist-run Lightsource.
With two large-scale group exhibitions and numerous recent solo shows taking the UK’s shoreline as their subject, Emma Safe takes a look at artists’ responses to the contemporary coast.
