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A blog from the past (the final one of six)

The final blog post for the ‘Armchair Artist Residency’. The Beaney House of Knowledge and Art: The Front Room ‘Armchair Artist Residency’ blog. Blog number six, February 2014: In a cardboard box on a shelf in the museum storerooms there […]

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Blog Post

A blog from the past (number five of six)

Blog number five of six.  The Beaney House of Knowledge and Art: The Front Room ‘Armchair Artist Residency’ blog. Blog number five, January 2014: I was told that there was an ancient Egyptian mummified human head somewhere in the museum […]

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Blog Post

A blog from the past (number four of six)

This is blog number four of six: The Beaney House of Knowledge and Art: The Front Room ‘Armchair Artist Residency’ blog. Blog number four, December 2013: I’ve installed an exhibition of my drawings and sketchbooks in The Drawing Room at […]

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Blog Post

A blog from the past (number three of six)

This is the third of six blog posts written for my ‘Armchair Artist Residency’ at The Beaney House of Knowledge and Art, in Canterbury, a few years ago.   The Beaney House of Knowledge and Art: The Front Room ‘Armchair […]

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Blog Post

A blog from the past (one of six)

A few years ago I did a residency at ‘The Beaney’ in Canterbury and I posted six blog posts about my time there.  These posts are no longer available on their website and so I thought I’d re-post them here. […]

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Blog Post

All 50 finished – a tail-end round up

I had hoped to have posted about each of the pieces in the project individually but Christmas socialising, collecting work and struggles with photographic images saw my time just disappear this last week. So I have just put a gallery […]

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Blog Post

“For when there is dancing again”

For when there is dancing again is the first of a series of minimalist collages I have wanted to do for some time. One of them has been sitting waiting to be pasted and drawn/painted for over a year. Fear […]

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Blog Post

“A Title Stolen From Another Painting”

“A Title Stolen From Another Painting” is more lyrical than my usual style, yet it has its origins in some black and white minimalist collages I did before I started this project. I wanted to make something less stark but […]

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Blog Post

And They Will Never Leave Me Behind

The title of And They Will Never Leave Me Behind, 32/50 Collages Before Christmas, relates back to number 26 in the series. It’s really a sketch for a much bigger work and I had been intending to try it out […]

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Blog Post

“Like Isis” – and I mean the Egyptian deity!

I’m really getting behind on posting about this project – I am not even keeping up with production on Twitter! The main reason is the lack of light and the lack of time. The images are really bad because winter […]

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Blog Post

Work in Folkestone and Maidstone

Apart from writing various funding bits and doing other stuff that has kept me at the computer, I am pleased to have work in two shows. Outside the Lines in Folkestone runs until 28 January at a very nice space called […]

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Blog Post

Probably not ready the first time

I find it interesting how two ideas can become one. The sprayed and cockled slotted paper was headed for another collage but got hijacked by this. Probably not ready the first time (29/50) is one of my favourites in the […]

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Blog Post

Nobody Ever Expects That Kinda Stuff

Sometimes with collage you can find yourself adding more and more pieces: with this, 28/50 Collages Before Christmas, I found myself cutting smaller and thinner pieces and discarding lots – but they might turn up in another collage coming your way […]

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Blog Post

It Was Ever Thus (But A Bit Different)

Number 27 of 50 Collages Before Christmas is “It Was Ever Thus (But A Bit Different)“. I suppose it’s from my Tidelines work and has its root in my local Jurassic Coast, especially Charmouth, but these juxtapositions have become continual […]

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Blog Artist

Shamanic Art Workshop

Narberth Museum in Pembrokeshire will host an exciting workshop with Kate Walters looking at Celtic Mysticism and the Mabinogion. Insights into the ways that Kate uses her Shamanic knowledge to inform her art.

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