Glasgow - Page 3 of 5 - a-n The Artists Information Company

Market Gallery’s recent Free Market symposium – supported by an a-n Artist Led Bursary – brought together thinkers and doers to discuss issues around ‘cultural resources in crisis’ and was in part informed by the Glasgow gallery’s own precarious situation. Chris Sharratt reports on three days of thinking beyond the usual.

An exhibition at Glasgow Print Studio presents over five decades of prints from the organisation’s archive, and includes work by 52 artists spanning screenprinting, lithograph, etching and much more.

The Glasgow-based artist, who first came to prominence in the 1990s, this year became the recipient of the newly created Freelands Award for women artists. She shares her thoughts on 12 months that also saw her first substantial show in Scotland for 10 years.

Five a-n News writers – based in London, Birmingham and Glasgow – pick, in no particular order, their top five exhibitions of the year.

For his exhibition in Glasgow, the London-based, Philippines-born artist traces the global tentacles of neoliberalism through an exploration of objects sold at key auctions over the last 25 years. He explains more to Chris Sharratt, including what drew him to former prime minister Margaret Thatcher’s iconic handbag.

Pippa Koszerek talks to artist Beth Collar about how a 2014 residency at Glasgow Women’s Library has influenced the sculptures that she is currently showing in the Tall Tales national touring exhibition.

The Glasgow artist Kevin Hutcheson died unexpectedly prior to April’s Glasgow International as he was preparing to open a solo show as part of the festival. Friends and colleagues remember this unassuming master of collage and stalwart of the city’s art scene.

The London-based artist Lawrence Lek uses the visual language of computer games to produce site-specific works that simulate real-world environments and create fantasy narratives. His film for Glasgow International sees the Clyde-built QE2 cruise liner sail from Dubai to Scotland to be turned into an extension for the Glasgow School of Art. Chris Sharratt finds out why.